I’ve posted this before in the Nuendo section of the forum. It got some traction from fellow users but never any formal response. I’m guessing this might also be more of an issue for composers/producers then it would be for mixers so I’m posting this here to see if it’s just me, or there’s more people with this problem, because even after 4 years+ this might literally be the single biggest sore I have while working with Nuendo/Cubase.
It’s essentially a very simple thing, yet a bit complex to explain without getting wordy so if you’re like me and don’t like long texts: I made a video:
For everyone else, I’ll try and do a short explanation in text:
I don’t remember exactly when they where first introduced but Cubase and Nuendo’s unique automation editing functions “Tilt”, “Scale”, and “Compress” blew my mind and ever since I’ve used them extensively. Prior to Nuendo 8.2 these functions where usable in 2 ways.
First: Select the points you want to edit with the “Object Selection tool”. Then, Tilt, Scale, or Compress the material and any automation present before or after the selected events would be ‘bent’ towards the new position of your starting or ending points (or ‘Automation Events’), making sure the entire automation pass remains fluent.
Second: Make a selection using the Range Selection tool instead. Any editing done would work identical but by using the range selection tool Nuendo puts an extra point (or ‘Automation Event’) before and/or after your selection making sure any automation data before or after the selected events would not be altered in any way, in essence isolating outlying parts from your editting.
Super useful to have these two options, since 8.2 however, method 1 (using the Object Selection tool) exhibits the same behavior as the range selection tool. When using “Tilt”, “Scale”, or “Compress” to edit the automation, it creates extra points (or Automation Events) at the start and/or ending of your edit. However, if you want your automation pass to remain fluent, these points have to then be remove manually (and are sometimes easily to overlook and missed resulting in unintended jumps in automation).
As a score composer - using for example orchestral libraries that rely heavily on CC parameters like Modulation, Expression and Breath - I use automation and Cubase/Nuendo’s scale, tilt and compress functions all the time so getting this remedied is something that would save me SO much time. Hope I can find some likeminded people here to get this ‘fix’ higher on Steinbergs to-do list.
EDIT: If you agree, use your vote (Top left of this post) to help make this a priority! Thanks!!
Cheers!