Title: Breaking the 8-ID Limit: My Workflow with “Remote Direct” & “Channel Focus”
Hi everyone,
After a lot of trial and error with the MIDI Remote in Cubase 13 (using an M-Audio Pro 88 & PG-200), I’ve finally found a workflow that bypasses the frustrating 8-ID limit of the standard Quick Controls (QC).
Many users get stuck with QCs and struggle with inconsistent mappings as soon as they switch between complex plugins or channel strip modules.
My Solution: The “Two-Pillar Arsenal”
I’ve moved away from standard Track Quick Controls (TQC) entirely. Instead, I use two parallel mapping pages that serve completely different purposes:
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Pillar 1: Remote Direct (The Fixed Console) I used the Functions Browser (Channel Strip → Pre/EQ/Strip) to hard-map my 8 encoders to the Channel Strip.
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The Advantage: Muscle Memory! Pot 1 & 2 are ALWAYS Pre-Gain and Low-Cut for me.
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This mapping stays “cemented” on the selected track’s channel strip. It gives me a true analog console feel while mixing on my feet, without looking at the mouse.
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Pillar 2: Channel Focus (The Flexible Effect-Hub) On my second mapping page, I use the Focus Mode.
- The Advantage: As soon as I open an Insert plugin window (like Neural DSP or a specific compressor), the 8 encoders “hijack” the parameters of that specific plugin. Close the window, and they are released.
Why is this better than standard QC? Standard QCs are often too rigid (think of the 9th parameter on the De-Esser that just disappears). By using Direct Assignment in the Functions Browser, I can create an optimized hardware layout for every single strip module (Magneto, De-Esser, Limiter) on the same 8 pots.
This builds on the great discussions here about the “8-ID prison” and inconsistent mapping:
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[Link to Thread 1]
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[Link to Thread 2]
Combined with FX Chain Presets in the inserts, this gives me a modular “Arsenal” that stays stable, no matter how spontaneous my mixing decisions are. Hopefully, this haptic approach helps anyone else who is tired of “mouse-mixing” and looking for a more tactile workflow in the sweet spot.
Best regards, Ronald