CREATED WITH DORICO
The first two movements of this concerto were not written in Dorico, they were actually done in Finale. However, this is the first work I copied into Dorico, it was my “baptism by fire” shall we say. I decided to jump in head first and learn Dorico by transcribing a work with a moderate amount of difficulty from an engraving standpoint. Most of the difficulty was in the solo cadenzas where there were plenty of double stops and slightly tricky multi-string passages.
Introduction aside:
I started the concerto with the 2nd movement after a difficult hospital stay. 5 days in the ICU, then another 4 days in the cardiac unit (though not because of anything wrong with my heart, we were suffering a terrible heatwave at that time, and the cardiac unit was the only part of the hospital with functional A/C.)
I had suffered a massive internal hemorrhage and the ensuing surgery to try and correct the problem. It was unsure whether or not I would make it.
During my stay in the cardiac unit, I shared a room with 3 other people, and during that time, one of them passed away under my very eyes. It was a sobering moment. I began to write the Elegy movement of the violin concerto while in that hospital bed.
It took me years to write the finale to the concerto. While the entire last movement was sketched out a few years ago, in Dorico, it wasn’t actually completed until a few weeks ago. So this is the lone movement of the concerto that was composed in Dorico.
So here is that rather virtuosic last movement, demanding for the soloist, and while not lyrical for the orchestra, it is highly demanding rhythmically for the orchestra.
Yes, there’s a graphic glitch in the cadenza of the last movement with a stacked fermata (since corrected.. I just didn’t feel like going back and reprinting that half a page for the youtube video.)
Direct link to my Youtube channel and the 3rd movement of the concerto. Youi are, of course, free to listen to other parts of the concerto as well if the mood so moves you.
The 1st movement has been performed with orchestra once before, and well received by the audience. The 2nd movement has been performed 3 times, twice with orchestra (once here and once in Seattle) and once with piano accompaniment. The only movement that has never seen a live performance is the finale.