Then perhaps be mindful when telling people that a software suite works perfectly well for you, when you’re only using a small proportion of it, not to mention being unbothered about ‘small stuff’ working effectively or not.
Cubase is unique in it’s legacy, and therefore core foundations are antiquated compared to the competition. It hasn’t the modern codebase and slickness of most competing DAWs, which are able to push innovative features as the space is available to them.
Newer staff most likely lack the knowledge and tools to efficiently bug fix or improve older areas of the software. Hence why much is bolted on to the underlying tech to provide saleable features every 12 months.
Trouble is, when you bolt on top and users establish those features into their workflow it adds a whole new level of complications and limits the change to core foundations, and control of bugs gets out of hand.
New DAW’s just have better revision and bug control because they are not having to manage or service such legacy. Look what Cockos achieve with Reaper, and there’s like 2 developers who work on that. Studio One apparently took much of the talent and ideas from the Steinberg when it started to establish itself. Bitwig, likewise, had Ableton developers start a new project.
So yes, Cubase is unique in my eyes - it’s why I use it. After using other DAWs I’m convinced that the clunkiness and quirks are part of the charm, in fact! But am concerned, particularly that the new licensing has failed in regards to securing their assets - with the bugs I think people will be more tempted to ‘try’ before they buy, and may not transform into paying customers.