Yes, I’m very much starting to believe this may be a P-core/E-core issue, too. Just absolutely blows my mind that one of the biggest DAW makers in the world has not figured out how to work with these chips, by, I dunno, actually working with Intel and Microsoft to make sure the scheduler doesn’t zoinc up. But, here we are.
Had I but known how awful Intel is lately, I would’ve absolutely gone with AMD. But finding reliable info on the Internet about who has their poopies together lately is damn-near impossible. Everyone’s got an opinion, and you know what they say about those.
In any case, I’ve noticed Ableton is quite a bit better behaved. Not perfect, but this obnoxious spiking isn’t really a thing. So, I’m trying to migrate my workflow, but it’s hard: Cubase still has me spoiled with how powerful some of the tools are. It can be frustrating to work with because some of the features are clumsy, laborious, and not very intuitive (e.g. MIDI Remote as a whole), but the power is certainly there. It’s a hard habit to break.
But with this spiking I’ve found my desire to sit down and make music steadily deteriorating. It’s unbelievably annoying and I really feel like my productivity has gone right off a cliff. I’m also trying to migrate to my MacBook, but it’s like I have this Pavlovian response to Cubase I’m now fighting: I just now it’s gonna zoinc up somehow, and zoinc up it does, even on the Mac: lots of crashes. The application just suddenly goes poof and I lose all my poopies.
It’s truly a terrible state of affairs for serious electronic musicians in Steinbergland lately. I mean, from my perspective, it could hardly be worse.
If the plugin format allows individual developers to code serious abuses into their offerings and Cubase doesn’t blink, just runs it, then Steinberg has a serious problem on its hands.
I’m pretty intrigued by the CLAP format. It’s obvious that much of the rest of the industry has had quite enough of Steinberg’s arrogant, gatekeepy bullshit in designing these formats, which they absolutely are guilty of. They think they know best when often they make very, very questionable decisions.
I remember how much trouble so many developers including u-he had implementing the basics like MIDI learn when VST3 first came out, and then even years into it being out. There’s no excuse for that: the format was poorly designed–designed to cater to Steinberg’s own internal poopies it was foisting on the rest of the industry, or trying to, but the industry wasn’t having it for good reason, and Steinberg was eventually forced to backpedal and change things.
This is what happens when you have people who don’t actually have to use the software daily making the final decisions in meetings with a bunch of software engineers who think they know better than these very people.
There is, in my humble opinion, also way too much emphasis on catering to the wants & needs of traditional (say, acoustic/electric) musicians and not enough attention paid to what really matters for electronic musicians. At least the likes of Hans Zimmer have had some positive influence in this direction, I reckon, but it’s not enough.
If you’re going to release a major, flagship DAW and the biggest CPU manufacturer is releasing CPUs with these infernal E-cores, then the maker of this DAW needs to ensure it’s actually usable for most people with standard computers based on these CPUs before releasing it.
13 and 14 have both been an unmitigated disaster for me, and there’s nothing particularly special about my setup. Very mainstream parts. The only thing I can think to consider is the fact that I have a lot of SSDs and two RAID 1 HDD pairs. But none of this should really matter, and that is my point.
There are no good diagnostic tools that can pinpoint why this is happening so I’m in this perpetual holding pattern with this machine hoping in vain the situation will improve, getting ever more pissed off as the years pass with no changes. I do not want to strip this system down to nothing only to find that it doesn’t matter, that it’s just this CPU series being horrible for music production.
I don’t care if you agree or disagree with me: I find this situation deeply unfair, and I especially don’t care to hear you wax poetic about how very, very lucky we are to have such amazing tools that run so well on YOUR system. Good for you! I’m happy for you, I truly am! (If not more than a little envious). But I don’t need it rubbed in my face and I don’t need to be told to calm down. You’re not helping me, you’re only making me resent you.