Cubase score editor, the same in all versions?

Does the score editor have the same capabilities in all tiers of Cubase 15?

If there are differences, what are they please?

Many thanks.

Yes, it’s the same in all versions

Many thanks. Do you know how it compares to Dorico itself?

It uses the same underlying scoring engine as Dorico, but it is more limited. If you need advanced features such as part preparation (supported in Cubase, but not as flexible as Dorico), cues and detailed controls over engraving and layout then Dorico is the tool to use.

This article describes our approach to the Cubase score editor: Introducing the new Dorico-powered Score Editor in Cubase 14 – Dorico

In short, the old Cubase score editor was developed by a single person over many years, who was wanting to retire, and it wasn’t easily maintainable for the future. It had been the plan for many years that ultimately the Dorico engine would be used in Cubase. We are bringing Dorico and Cubase closer together in each version.

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That’s very helpful indeed, thanks. It means I can get one of the lower tiers of Cubase to try out. I have the full version of Dorico to compare.

I think you are part of the development team (?) in which case a further explanation of my use case might help. A use case which isn’t that unusual.

At the moment Logic is my DAW of choice, and Sibelius my music DTP. I use Rewire to sync them together. Most of the time Logic contains only audio, though at some point I will establish MIDI tempo (which might vary) so that Logic can ā€œdriveā€ Sibelius. But Rewire is deprecated, and only runs using Rosetta on a Mac, and Rosetta is coming to the end of its life. And Sibelius is messy.

It appears that the intention is to make the score editor in Cubase more capable, over time, yes? Maybe eventually the score editor in Cubase will become almost a full ā€œDorico within Cubaseā€, if that’s possible.

One thing that my current setup accommodates very well is repeats. So a Logic file will be one continuous timeline, with no repeats, but the Sibelius file will have repeats, but including things like Verse 1 and Verse 2 for vocals within the repeat brackets. I’m guessing that that isn’t possible with Score Editor?

Dorico has very good support for the layout and playback of repeats. Cubase has limited features for the notation of repeats but doesn’t support playback of repeats in notation. It’s possible to get Cubase to play back ranges in a custom order, but this isn’t currently reflected in the notation.

I think in general, if you want to work in a DAW rather than notation app then it’s easier to work without repeats. If you want to work in the DAW but then need repeats for the printed score then it may be easier to export the full ā€˜unwound’ project into a notation app and then add the repeats there.

Another option is to work in Dorico/Sibelius with repeats and then export the MIDI file which will have all the repeats expanded.

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so now we are forced to use two programs, a DAW and a notation app. Every change has to be executed in two different programs, which is extremely time consuming. And mistakes will happen easily.
We could do this all in Cubase before this new score editor arrived….
Consider bringing back a way to adjust the number of bars per staff and a function to hide staffs, and repeats will make sense again. Right now they are senseless.

Thanks. I imagined that would be the way. I can’t imagine how non-repeating audio and repeating notation could be made to work together, to be honest.

I’ve not tried the score editor in Cubase yet, but hopefully if there is some sort of non-printing comments feature (?) it wouldn’t be too much work to put a ā€œthese bars, 9-16, are a repeat of bars 1-8ā€, and when the project is exported to Dorico, make the repeats there.

Though still a pain not to be able to have two things, audio/midi and notation, both live and editable, and in perfect sync. I’m still hoping for somebody to come up with a cross application replacement for Rewire. Though that is more in hope than expectation. Ableton Link might be it, but hasn’t got a notation application yet. ARA looks like it might have possibilities, but I don’t really understand it.

Interesting. Do repeats work in the way I described in old Cubase?

yes, you could hide the repeated staffs

Thanks. Did they print, on paper, as repeats, like this:

this was possible, with a little workaround.
When the repeated section was followed by bars in the same staff, I split the staff, so that the first two bars appeared in one staff above. Then I hid this line and set the repeats between bars 3 and 4. Not perfect, but close :wink:

Personally I made the decision never to use repeats so I can work in Cubase for everything and not have to think about it. If I have a repeat section I sometimes use shared midi objects which means I only have to enter the notes and lyrics once.

I also find these days with electronic distribution of scores and using an iPad, saving a page or something by using repeats has very limited benefit.

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That may be your way of working. There are many areas of professional music making where repeats marks, whether on paper or iPad, are standard, very useful and expected.

Thanks. To be clear I’ve never used Cubase (or at least so long ago I’ve forgotten!) either old version or the 14+ version with Score Editor.

I think I understand what you are saying, but only just. Sounds a little creaky, but then every other option I’ve explored is either a little, or very, messy, compared to Logic-Sibelius rewired together.

At this point I’m looking at ā€œfreezingā€ a computer to keep Rosetta, and therefore Rewire, working. Which gives me probably 3 years, maybe more.

But I will continue to monitor/research the other options, including a Cubase+Dorico pair.

I don’t know what the scripting/automation is like in Cubase score editor, or Dorico. But if it were possible to place markers of some sort - ā€œstart repeat mark hereā€, then ā€œend repeat mark hereā€, ā€œ1st time bar starts hereā€, ā€œ2nd time bar starts hereā€ to either fold or unfold repeats that could very well make moving between Cubase and Dorico fairly painless.

I’ll investigate, when time allows.

Just as an fyi:
Of course, there is no necessity to dispense with repeats. While the Score Editor no longer has repeats playback or the ability to hide bars built in, (and one hopes strongly that this will be implemented) the Arranger Track can be used for this purpose. It’s more steps, but can be done.
ArrTrack

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That’s really useful info, thanks. And it looks workable.

I need to be careful about the number of software packages I buy ā€œjust to try it outā€. Is that the full version of Cubase, or would the lowest tier be enough for me to experiment with that specific feature?

Yes, I know there’s a 60 (?)day trial, but my experience of trial versions is I never get to know it well enough in the free period.

Here’s a handy dandy comparison chart between Cubase editions.
https://www.steinberg.net/cubase/compare-editions/

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