Thanks for the info. 
It’s a typical Steinberg thing then in a way. Very colourful with a lot of bells and whistles, open in many directions…
I see how the blurred selection function could help me, but then transferring from ProTools to RX and then to SL, back to RX and then back to PT does not exactly feel like a desirable workflow and since you mentioned that it basically lacks the fine tuned restoration plug in set of RX, that I use for many hours every day and know inside out, I guess as an audio post only guy with RX Advanced in the toolbox I probably won’t need it.
You describe it more like a creative playground rather than a straightforward audio post/audio restoration tool aimed at quickly getting the audio into shape for broadcast.