I agree that it would be a good time saver but mostly a very much convenient option. Instead of having to click every track for freezing you could wait while Cubase does it all and go do something else.
All of this has just been said and so there’s no point in keeping point the obvious.
However I really couldn’t resist an inner strong desire to reply to Conman on this post and his self-centered views on this.
Man, nothing personal but why would you come to a post about the freezing option (and this is not the first I see you in) to say to everyone that they don’t need it.
First, let me say, if anyone wants to have 100 or 200 tracks is not really your place to ask the question: “Why would you have 100 tracks?” I think I don’t have to explain anything else about this, you’re probably clever enough to understand that the music one makes and the way they do it is about them until they ask for your help.
Second, let me tell you, you have no idea what you’re talking about when you suggest that people don’t use the freeze option. Just for argument sake: I have a i5 quadcore, 16gb ram, and an audiofire2 as audio interface. If I have, let’s say 5 tracks for the strings (VSL Apassionata Strings) so 2 violins, violas, cellos and basses, I don’t know if you know this but strings as a very expressive instrument require a fair amount of different articulations, so more ram. Now lets say I want a piano… Piano and strings, not that big of an arrangement is it? So I really like east west piano, so I use that one.
Now, as inserts go… everyone needs reverb, I’m guessing you’l agree on this, and damn me, I really prefer Convolution Reverb rather than algorithmic.
Darn, I’m screwed I have to use Vienna MIR as an insert for every track, but wait my CPU usage is raising a lot. So maybe and to do a simple arrangement that sounds good I have to buy a computer that follows my sample libraries needs. No using the freeze option. No that’s out of the question, cus you Conman say thats not a good procedure, because I’m working in a home studio and so I have to use the strings from Halion symphonic and cubase’s piano.
Now if I had a 50000 bucks studio then I could make better strings and for now I’ll just hope that anyone wants to hire me with music that sounds synthetic and unrealistic.
Oh what the hell, doesnt matter, I have my talent so maybe I’ll just say to them,
-believe me if you buy me a 5000 computer I can do good music.
Conman man, believe me, is a one man show these days, and if a guy manages to have the best sound possible in his home studio, he should go for it and impress the way out of his clients, because that is the way of having that 5000 computer.
Now don’t come here, to a topic you don’t care (at least doesnt seem like you do) and say to everyone:
-Hey dont waste your money on sample libraries, go and buy a slave computer,
because,
that is a good idea, I totally agree with you on this one, having that slave 8core bastard with 64gb of ram is a pretty sweet dream. But I plan to get there with my money, money I earn from music, money that allowed me to have the computer I have now, the SAMPLE LIBRARIES I have now.
I’l get there and I hope you do to, but in the meantime, do you mind us using the freeze function, the ones who like it? Do you Conman? Please Conman, I like my strings so much.
As for the slected freeze feautre, I’m waiting for it, and I’ll give Steinberg all the time in the world, they have made my journey in music very pleasant so far. Cubase is an amazing daw, and I wouldn’t change it for anything in the world.