With the default settings, Dorico will try to avoid diminished intervals in figured bass in many situations. Here it’s trying to avoid the diminished fifth between the 7th (a C) and the implied third (F#). You can either type “n7_6” which explicitly tells Dorico that you want the natural 7th, or you can set “Allow diminished intervals” on the Figured Bass page of Note Input Options.
I think we would say it is - by default - helping users to write the right thing. Many users will encounter figured bass in an educational setting and would benefit from that help, but if you’re an expert you can always change the settings in Note Input Options to turn that off.
I still don’t understand why assuming a non-diatonic figure is the right thing, or what anyone would expect. This is not like chord symbols, where “7” means a minor seventh regardless of anything else.
Dominant seventh chords have a minor seventh, not a diminished one. The #7 in the example introduces an alteration from C to C# which clearly is not intended, and therefore wrong.
The diminished interval that is being adjusted here is the one between the third and the seventh above the bass. Also this isn’t a dominant seventh chord, internally: inputting a 7->6 suspension in Dorico will only give you the seventh and third above the bass, not the fifth, as the suspension resolves to a 6,3 chord. Inputting a “7” figure on its own would give you a dominant seventh chord, and in that case the diminished fifth between the third and seventh would be allowed, as a special case.
Aren’t the intervals in figured bass calculated from the bass note by definition? What we see here is a very common harmonic sequence of suspended sevenths, each resolving diatonically into a sixth (often with syncopated ties in literature). In the first half of bar 2, the upper voice resolves from D to C natural. This C natural does not change into C sharp on beat 3. It’s an ordinary minor seventh as seen from the bass note (admittedly not necessarily forming a full dominant 7th chord, but still), and AFAIK, whether the interval between the third and seventh happens to become diminished is immaterial. We don’t even know whether the continuo player will decide to play thirds or fifths at all. In this fragment, the polyphony is entirely diatonic in G major and shouldn’t get accidentals anywhere. The only way now to force Dorico to omit the misplaced sharp is deliberately adding an ‘n’ before the 7, which, in my view, shouldn’t be necessary.
@MarcLarcher: you mean in Engraving Options > Figured Bass > Accidentals? Whether accidentals are calculated from the KS or from the bass note should (in this case) not produce a sharp either way, I think.
No, I mean the option described by Richard up there, in Input Note Options > Figured Bass> “Don’t bother about diminished intervals for me, I can handle it myself”
OK, I’ve read this thread and several others and still I cannot figure out what settings I need to get Dorico simply to allow me to enter in EXACTLY the figures I tell it to write. I’m in C minor, I have a G in the bass, and I want it to show “7 #3”. This seems really simple to me. I can get it to say “x7 #3”, I can get it to add a #5 (I don’t know why it would do this) but I just want it to say “7 #3”. What am I missing? I’ve looked at the Engraving Options but I do’t understand what each of them is doing. Can someone please tell me how to set those options (all of them) so that Dorico will just show the figures I ask it to show? Thank you!