Brass: Hollywood Brass, NI Symphonic Essentials Brass Ensembles, Kontakt Library’s included VSL patches
Woodwinds: Garritan Personal Orchestra 5, Halion Symphonic Orchestra, Miroslav 2 CE
Percussions: Kontakt Action Strikes, Hollywood Percussion, NI Symphonic Essentials Percussion, Halion Symphonic Orchestra, Albion ONE Darwin Percussion (Easter Island strikes)
Other bits and pieces: Epic Worlds, Era II, Ethera 2.0, Sampletank 3 Alan Parsons Grand Piano, Albion ONE Stephensons Steam Band
Plugins Used: not too many – Nimbus reverb by Exponential Audio over entire mix, a couple instances of TRacks5 Opto Compressor & one instances of Master EQ 432
Any comments or feedback would be appreciated. And I must say, while I was really saddened to see Cakewalk go down, I am really enjoying getting to know Cubase. It is an outstanding program.
Welcome, sorry you lost support for your DAW. My brother and sister both moved over to Cubase in the last years, where I’ve been for many years. So now it’s a family thing! So welcome to the family!
Anyway, hope this works for you. Based on this recording, it does indeed. I am enjoying your composition and use of plugins, even if I am no expert on how you’ve put this together.
Thanks for the kind words, folks. Much appreciated.
I have to say, I’m really, really liking Cubase. Seeing Cakewalk shut down was sad – I used Sonar for a long time – but changing to Cubase has been a really positive experience. Must be honest: if Cakewalk came back tomorrow, I wouldn’t be going back. I wrote all of “AElfwyn’s Saga” in Sonar, and used it to create many versions of the piece while developing the music, but rebuilding it from scratch in Cubase was easier and more satisfying, and I was very happy with the results.