Flow-Specific Tokens disambiguating on Page Templates

I’m working on a small hymnal/music booklet for our church’s youth conference, and I have allowed multiple flows on a page to save space, as some of the flows are less than one page in height and can easily tuck under a flow that “spills” only one system onto the 2nd page. This is quite common in hymnals. Here’s the issue I’m running into: I have the @flowcopyright@ token set to display each flow’s copyright info at the bottom of the page template (common location for copyright info). However, this will not display the copyright info for the second flow on those pages with more than one flow, as tokens on the Page Template only pull from the first flow on the page. Is there some way to tell the program to disambiguate between which flow on a multiple-flow page the page-temple token is pulling info from? Or anyway to do this besides me manually putting copyright info for the 2nd flow in on all those 2-flow pages? I don’t think Flow Headings will work as the measurements are relative to the top, not the bottom, of the flow, and the measurement between the top of the flow and the “footer” area of the page will vary depending on where the flow starts on the page.

Welcome to the forum, @kevin.higginbotham

I just gave a try, and that’s not what I get:

I’m not sure what’s happening on your end, maybe a page override? Don’t you have a red triangle on the page symbol in Engrave Mode, right column?

No, I don’t have any overrides. How specifically are you getting it to display only the copyright info for that flow? Does it make a difference that I don’t have any pages with two complete flows on them, but merely the final system(s) of a previous flow and the entire next flow?

Apparently not…

Are you using the {@flowcopyright@} token for both the First and the Default templates, and are left and right pages of these templates similar?

Well now I feel silly! That was it…I didn’t have that frame on the R page of the template. Thanks! Longtime Sibelius user still learning Dorico. It’s been a learning curve for sure but after just a couple weeks using Dorico I would never dream of going back to Sibelius. Lots to learn!