Itâs good that it works for you. Do you have to keep the dongle in place? Did you use Download Assistant to upgrade, or just grab base installers and to it manually?
I had the same good fortune for a smooth transition way back when HALion 7 first released. I was using Dorico 4 and Cubase 11. For me, making the full journey to the latest versions of Dorico and Cubase 14âŚthings have gone fairly smoothly. Iâve always run Steinberg Download Assistant (SDA) a few times a month, and it has done its job and gradually converted everything to the latest versions. Iâd always reboot the system after SDA had done its thing (reboot to ensure services/processes get shut down, files closed properly, stuff cleans up after itself, etc).
Over time Steinberg released vouchers to move older content to the new licensing system. Once applying these vouchers, newer versions of library archives (vstsound packages) become valid.
In my experience SDA would ârecommendâ I accept updates for HALion/Sonic/Groove Agent content. I could âopt outâ of the recommended updates, but how many users are going to do this?
It seemed obvious to me, if I wanted to be free of the dongle, Iâd let SDA do its thing. So I did.
From time to time I see cries for help in the forum where something went wrong with their updates via SDA. A common ânuclearâ trouble shooting approach it to simply clean out the content libraries, and make sure you have the latest releases. If for some reason you want to âforceâ using the older dongle based content, then grab the manual installers and do the homework to âreplaceâ the bits you need.
If you do the entire update through SDA, AND all of Steinberg libraries are registered in the new licensing system, itâs possible that SDA might offer to âupdateâ content on its own? Seems like it did in my case, but sometimes users out there miss something, or bypass using SDA, orâŚuggâŚit just went wrong for some reason.
Attempting to roll back to a version that doesnât support the newer dongle free system makes things even more complicated.
It seems like when people run into problems making sure the database server and all of the content/libraries are up to date gets it working again.
Since HALion/Sonic 7 was released, most if not all of the HALion libraries have been updated to work with the new Steinberg Licensing system. The older vstsound archives still need an eLicenser key (on dongle or soft keyed).
It can be confusing to keep up with what is what. Launching the Steinberg Download Assistant app might be prone to different issues when it attempts to auto-update things like the database server that is shared among common Steinberg Apps.
This is why I say âswapping aroundâ between major HALion versions on a single OS setup is âpossibleâ, but itâs a pain.
Your old projects should be fine with HALion/Sonic 7, provided you were using the VST3 versions of HALion/Sonic/Sonic SE.
What kind of files are missing? There might be a way to fix this if the forum knows more about the situation.
With factory content, sometimes itâs just a matter of trashing the right file so the media bay db gets rebuilt. Once thatâs done HALion finds the right stuff again, and makes sure itâs properly âregistered/unlockedâ.
If you have older user programs, multi-programs, layers, and presets lurking, we can help you find them and get it registered.
If you had old HALion 3 content installed at some point but canât find it now, there are ways to get it back and reinstall it for use in H7.
Absolutely! Iâve learned this lesson as well.
Clone the entire setup before taking on major software upgrades. There are ways to make it a fairly painless process. Youâll do some studying to come up with a system that is best for you, but in the long term, itâll be worth it.
Personally, Iâve come up with a system where I can just pull and replace the entire system drive (along with project data drives if necessary) before accepting major software upgrades. Across the boardâŚnot just Steinberg stuff, but the entire OS, all of the plugins and other relative software remains exactly where I left it when pulling the drive.
As a matter of course, I try to do it once per year âjust becauseâ, but sometimes I do it more often if I know Iâm about to dive into a bunch of cutting edge âmessâ that might not work out for me.
It takes a little planning to sysprep a system drive before pulling it and replacing with a new one, but I think itâs worth it.
The base steps before pulling a system drive (or doing a raw system partition backup to other media) are.
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Release all of your software keys (iLok, Steinberg, Waves, Adobe, etc), so you can reactivate them on your new OS installation.
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Run a sysprep for your OS (sets aside some security options, and stashes base reference system drivers in case you need to plug this drive into a âdifferentâ machine someday than the one it was made with).
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Lable it wellâŚput readme files and such on the root of the drive to remind you what itâll take to get it back up exactly like you last left it (reactivate/register apps, connect specific data drives, devices, dongles, interfaces, bios settings, etc).
This way you hopefully have a âplug and playâ method to revisit projects EXACTLY where you left off when you last worked with it. Same OS, same apps, same plugins, same device drivers, etcâŚ
Quite often you can mount such backups (not actually boot from them) and just pull projects and such from them thatâll work with newer versions of your apps, but should you run into problems, you can hopefully plug the old drive in, reboot, and step in the time capsuleâŚexactly where you left off
Itâs also a good idea to pack projects from time to time. By this, I mean export all the stems, tracks, etc, into general formats that can be imported into any system/daw out there. Sooner or later, something in your projects are going to go defunct, no longer be supported, or might even fall off into a black hole (I.E. requires a dongle that is no longer easy to find or get working with your hardware, and no viable âcrackâ ever comes about to get it working again). It takes time, and wonât be a perfect archive of where you left off, but at least youâve preserved the nuts and bolts of your work and can preserve the otherwise âunreproducibleâ aspects of your project.