I know many harpists say they would prefer to not have harp pedaling in their parts, but when I talk with them, they often tell me that it is more about the markings being inaccurate and/or incomplete than about them being there. It’s interesting to note that in her book Writing Well for the Modern Harp, Yolanda Kondonassis says she prefers to have pedalings in the parts as does Courtney Hershey Bress (Harpist with the Colorado Symphony) in her book For Love of the Harp. What both of these harpists insist on, though, is if you put them in, be consistent and accurate.