Hi Jeff and welcome!
Just select the Cubase Pro 9.5 crossgrade to choose where to crossgrade to.
Hi Jeff and welcome!
Hi Ed - Thanks for the welcome and the help! Yeah, I see I misread it. Well, here I go to take the plunge!
Sorry for another post folks! I’m sure this answer’s been given before, but although I searched, I couldn’t find an answer that exactly fit my question.
So, I completed my crossgrade purchase (yayy!) and the order includes a USB eLicense. Now, I don’t have any other kind of eLicenser (like other posters I found did), so I certainly need it. Since it’s my understanding that I need the physical dongle for the Pro version, am I correct in assuming that it’s being shipped to me? The order confirmation email and other things I read aren’t clear about that. In the order confirmation email, the product is referred to as “Win/Mac #407744 Box” (versus the crossgrade is referred to as “download”), implying that it’s the physical item, but I was never given any information about, or charged, shipping costs.
Although I can download the software - I successfully installed the download assistant - since I don’t think I can activate the software until I have the physical eLicenser, I’d rather hold off until it comes.
I apologize if I’m sound confusing…Thanks for your help!
Thanks to Ed Doll and all the Grand Senior Members for patience and help!
One navigator method I’ve seen before but can’t find now is the ability to place the locator using something other than the pointer (I think) by clicking on the locator line/cursor bar and moving it around…rather than having to go up to the ruler bar.
I think you’ll be glad you did. I found moving from Sonar to Cubase to be a lot easier than I expected. There’s still a learning curve, of course, but it has been fun making my way around it.
Hi Jeff, thanks for the purchase!
If you ordered the box, it will be shipped to you including the USB-eLicenser needed to start Cubase Pro 9.5. You can already download and install Cubase Pro 9.5 using the Steinberg Download Assistant - the USB-eLicenser and the license is only needed while using Cubase.
Thanks again Ed! I just got an e-mail from Steinberg, literally minutes ago, confirming that the eLicenser is coming via UPS. So everything’s in place!
Looking forward to this. Years (and years) ago when I was looking at getting a DAW, the choice for me was between Cakewalk (then Pro Audio) and Cubase. I went with Pro Audio because I got a better deal on it. But I knew that if I ever had to migrate off, it would be to Cubase. I know there are other good DAWs out there, but Steinberg has been a trail blazer since the nineties (maybe even the eighties), and I want to be at the forefront, not lagging behind!
I’ve made the plunge too and am currently being evaluated.
The one thing I didn’t check after ordering was support for 32-bit VST plugins, which doesn’t seem to be there. I have an Ensoniq SQ80 emulation that is quite good and that I would like to use sometimes.
Hello, I’m another long time Cakewalk user who has just moved to Cubase. So far, I’m really enjoying the Cubase experience, and love the fact that I can create a similar workflow that I became so used to in Sonar Platinum.
My question is regarding one workflow feature that I really miss from Sonar . . . being able to edit and map BFD3 drums in the Staff View.
I’ve found the button where you can easily create a BFD3 drum map, very cool . . . but Cubase has a full on “score editor” so the drum notes all appear many octaves below the staff lines (C0, D1, F1 etc . . .)
I’ve found where you can customize the score editor to create different note head and stem displays, but I can’t find a way to display the drum notes octaves higher, so they actually appear on the staff lines. (No, I can’t relate to the percussion view) In Sonar, you could create a staff layout that did this. Is there a way to visually display and customize the score editor to accommodate this . . . without having to transpose all the drum notes, and having to re-program the drum map ?
Just thought I’d make a comment aimed at anyone hesitant to use the eLicenser. I have had the eLicenser since 2004 (Eiosis AirEQ required it IIRC), and compared to the iLok which caused me a great deal of grief for quite a while, I have never had a single problem with the eLicenser. I can’t say if everyone has had the same positive experience with it, but I’ll vouch for it based on my experience and I’m not the biggest fan of dongles.
Hello everyone! I’m a new convert from Sonar Platinum. Just thought I’d check in and say “Hi!”, while taking a break from doing Cubase tutorials on Groove3. I’m trying to power through them quickly and get up to speed on Cubase so I can get back to making some music.
Any additional advice from other recent SPLAT converts on making the transition easier or quicker?
Getting around audio tracks is fairly straightforward. Midi has some powerful features that take some time to digest though, such as expression maps, note expression, and polyphonic voicing. They make sense after awhile and turn out to be invaluable. I have yet to dive into the chord track and arranger.
I have no other advice than to remember that Cubase can do all that SPLAT can do, and more. Although the manual isn’t perfect, it does cover every topic, so it’s worth the 5 minutes to dig into it every time you can’t find the solution to a specific question. The different vocabulary will grow on you. And another thing: don’t forget to experiment with the neat extra’s Sonar never had, like Chord Pads. I find that functionality exhilirating!
I’ve heard about that feature before and am quite excited to get to try it out finally.
I mostly agree, the one big disappointment so far for me is that Cubase doesn’t support ARA. (Granted that was a relatively new feature in SPLAT too).
Cubase has the built in pitch corrector, so no need to go to Melodyne all the time, but if you use Vocalign it’s an order of magnitude easier to use in SPLAT or S1 than Cubase. (See my post here: https://www.steinberg.net/forums/viewtopic.php?f=252&t=108207&start=50#p708262 )
Still, Cubase is hands-down the best alternative I’ve tried, of course YMMV.
I am a new Cubase user from France.
I haven’t already read all these pages about migrating from SONAR to Cubase, but I will try to. Thanks Cubase for the generous crossgrade offer and the help.
If you are a MIDI user, I can tell you that I don’t see any program that could be better than Cubase. I do like SONAR Platinum very much, I remember the wonderful first year of updates, but within the last year, the software wasn’t really improved anymore, especially about MIDI. The best example is the awesome Cubase chord functions, that we asked Cakewalk to implement and it was never done.
I have been working with Cubase Pro 9.5 (not the latest update) for more than 1 month. I created one of my best tracks very easily. The incorporated VST synths are awesome. There are 12 VST synth playing along with a few audio tracks. No stuttering, very stable (one crash upon saving but there is a strong autobackup function). Since Windows 10, I had BIG stability problems with SONAR and people said that my Roland interface wasn’t good anymore. Now I can tell you that it works well with Cubase, with unnoticeable latency and very stable. I think that there were problems between Cakewalk and Roland, hence no optimization efforts…
I’m not saying Cubase is perfect, but certainly it’s very close to this. Some little things like ARA or 32 bit VST support aren’t there, but there are so many things to discover too.
That said, it’s very difficult to understand some differences of concepts and vocabulary. I will now read the manuals (something like 2000 pages) to have a more precise experience and improve my skills. I must admit I have not much tried audio recording, I have focused on VST MIDI, where Cubase is outstanding.
SONAR community is excellent. I hope to find here as many kind and helpful people as in the SONAR forum.
As a conclusion, if you’re a MIDI hero, buy Cubase… If you’re more into audio, I also think it’s the best tool now available but I have to test it a little bit more.
Thank you Steinberg!
I’m trying to move some projects from Sonar to Cubase, and the tempo is messing me up. I have a few audio tracks (starting with a very simple project) and I can import them from an OMF. Looks good. But the tempo is off, and that’s going to be a problem with projects that use midi. So, what exactly is the process to allow the audio to be imported into the correct time position with the correct midi time base?
Another Sonar Platinum refugee… with MOTU 2408mkIII - Windows 10 - i7-960 - fwiw
I’m just saying hello as former SPLAT user (with Cake about 10 yrs). Made the switch to Cubase Pro. Greg made a good offer early and in researching, Steinberg looked good. And so far so Good!
Best to all,
To be safe you need to set the tempo in Cubase before the import - the import of OMF doesn’t seem to preserve the Sonar project tempo.
(And remember that changing the constant tempo in Cubase DOES NOT change the tempo in the tempo track. So if you decide to use a tempo track that needs to be set correctly)
Anyone making the move to CB from Sonar I’d suggest checking how the backup project feature works. Projects don’t save the same using Sonar method many used. ( save the project to a new folder & the audio is saved with it)
Projects don’t save the same using Sonar method many used. ( save the project to a new folder & the audio is saved with it)
Also make sure to check out Audio / Statistics. A feature in which Sonar sorely lacked ir’s a great way to check your audio files. EBU, LUFS, peaks, DC offset etc…
Simply select/ highlight 1 or more audio tracks then menu / audio/ statistics. Has a copy feature to paste info into a WP as well.