Just thought I’d make a comment aimed at anyone hesitant to use the eLicenser. I have had the eLicenser since 2004 (Eiosis AirEQ required it IIRC), and compared to the iLok which caused me a great deal of grief for quite a while, I have never had a single problem with the eLicenser. I can’t say if everyone has had the same positive experience with it, but I’ll vouch for it based on my experience and I’m not the biggest fan of dongles.
Hello everyone! I’m a new convert from Sonar Platinum. Just thought I’d check in and say “Hi!”, while taking a break from doing Cubase tutorials on Groove3. I’m trying to power through them quickly and get up to speed on Cubase so I can get back to making some music.
Any additional advice from other recent SPLAT converts on making the transition easier or quicker?
Getting around audio tracks is fairly straightforward. Midi has some powerful features that take some time to digest though, such as expression maps, note expression, and polyphonic voicing. They make sense after awhile and turn out to be invaluable. I have yet to dive into the chord track and arranger.
I have no other advice than to remember that Cubase can do all that SPLAT can do, and more. Although the manual isn’t perfect, it does cover every topic, so it’s worth the 5 minutes to dig into it every time you can’t find the solution to a specific question. The different vocabulary will grow on you. And another thing: don’t forget to experiment with the neat extra’s Sonar never had, like Chord Pads. I find that functionality exhilirating!
I’ve heard about that feature before and am quite excited to get to try it out finally.
I mostly agree, the one big disappointment so far for me is that Cubase doesn’t support ARA. (Granted that was a relatively new feature in SPLAT too).
Cubase has the built in pitch corrector, so no need to go to Melodyne all the time, but if you use Vocalign it’s an order of magnitude easier to use in SPLAT or S1 than Cubase. (See my post here: https://www.steinberg.net/forums/viewtopic.php?f=252&t=108207&start=50#p708262 )
Still, Cubase is hands-down the best alternative I’ve tried, of course YMMV.
I am a new Cubase user from France.
I haven’t already read all these pages about migrating from SONAR to Cubase, but I will try to. Thanks Cubase for the generous crossgrade offer and the help.
If you are a MIDI user, I can tell you that I don’t see any program that could be better than Cubase. I do like SONAR Platinum very much, I remember the wonderful first year of updates, but within the last year, the software wasn’t really improved anymore, especially about MIDI. The best example is the awesome Cubase chord functions, that we asked Cakewalk to implement and it was never done.
I have been working with Cubase Pro 9.5 (not the latest update) for more than 1 month. I created one of my best tracks very easily. The incorporated VST synths are awesome. There are 12 VST synth playing along with a few audio tracks. No stuttering, very stable (one crash upon saving but there is a strong autobackup function). Since Windows 10, I had BIG stability problems with SONAR and people said that my Roland interface wasn’t good anymore. Now I can tell you that it works well with Cubase, with unnoticeable latency and very stable. I think that there were problems between Cakewalk and Roland, hence no optimization efforts…
I’m not saying Cubase is perfect, but certainly it’s very close to this. Some little things like ARA or 32 bit VST support aren’t there, but there are so many things to discover too.
That said, it’s very difficult to understand some differences of concepts and vocabulary. I will now read the manuals (something like 2000 pages) to have a more precise experience and improve my skills. I must admit I have not much tried audio recording, I have focused on VST MIDI, where Cubase is outstanding.
SONAR community is excellent. I hope to find here as many kind and helpful people as in the SONAR forum.
As a conclusion, if you’re a MIDI hero, buy Cubase… If you’re more into audio, I also think it’s the best tool now available but I have to test it a little bit more.
Thank you Steinberg!
I’m trying to move some projects from Sonar to Cubase, and the tempo is messing me up. I have a few audio tracks (starting with a very simple project) and I can import them from an OMF. Looks good. But the tempo is off, and that’s going to be a problem with projects that use midi. So, what exactly is the process to allow the audio to be imported into the correct time position with the correct midi time base?
Another Sonar Platinum refugee… with MOTU 2408mkIII - Windows 10 - i7-960 - fwiw
I’m just saying hello as former SPLAT user (with Cake about 10 yrs). Made the switch to Cubase Pro. Greg made a good offer early and in researching, Steinberg looked good. And so far so Good!
Best to all,
To be safe you need to set the tempo in Cubase before the import - the import of OMF doesn’t seem to preserve the Sonar project tempo.
(And remember that changing the constant tempo in Cubase DOES NOT change the tempo in the tempo track. So if you decide to use a tempo track that needs to be set correctly)
Anyone making the move to CB from Sonar I’d suggest checking how the backup project feature works. Projects don’t save the same using Sonar method many used. ( save the project to a new folder & the audio is saved with it)
Projects don’t save the same using Sonar method many used. ( save the project to a new folder & the audio is saved with it)
Also make sure to check out Audio / Statistics. A feature in which Sonar sorely lacked ir’s a great way to check your audio files. EBU, LUFS, peaks, DC offset etc…
Simply select/ highlight 1 or more audio tracks then menu / audio/ statistics. Has a copy feature to paste info into a WP as well.
It doesn’t look like anyone answered this but its my understanding that you need to throw money at the situation in order to solve this issue. Google jbridge, throw him some coin and problem solved.
Sorry, I didn’t see the question for some reason. No Cubase no longer supports 32bit plugins directly. You have to use a bridge VST of some kind. There are lots of options including jbridge.
Hi. I am another former Sonar user trying out Cubase and I will probably go with it. I also tried Digital Performer and a couple others but have it narrowed to two now. I like the GUI of Cubase a bit better and it seems a lot more of the VST plug-ins (synths and fx) have migrated over. I used the 64 bit Sonar anyway, so having only 64 bit is fine. I had just got a new mixer (Behringer X-32) when the news about Sonar hit, but it seems like it is integrating well with Cubase although I have a lot to learn about the way Cubase handles i/o and tracks in general (I have 21 days left in the trial). Also the Mackie Control seems to work well with both the X-32 and my NI S-61 (Mk. 1) keyboard controller when dealing with remote control applications of those two pieces. I have some hardware synths too and it seems like Cubase does well with those too but I have a lot of work to do on the external devices pages. Having this topic is a great idea and I will be checking it out frequently. Thanks, so far.
Michael (Studio Vheissu)
In Sonar, you could toggle an option to prompt a warning message that you are about to move an audio clip (event).
Is there any way to do that in Cubase?
I hav’nt found a way of getting a prompt before moving a clip, but an event can be locked in place.
Select the event, Edit > Lock.
To lock an entire track, select the track, and in the Inspector click on the top section and click on the open padlock icon.
See page 99 of the manual for a picture of what I’m referring to, it’s next to the orange crotchet.
Thanks for the advice, ceemusic. One thing, I tried the link you posted but it looks like it’s broken. Could you try that again, please?
Sorry, I don’t know why a url was made there- it’s just a sentence…
My point is that many backup Sonar projects by saving it to a new folder & checking the ‘copy all audio with project’ option.
This doesn’t work in Cubase so I’d advise checking out the backup project feature early on. (Its what Sonar should’ve had instead of the workaround that was mainly used because of Cakewalk’s horrible ‘Clean Audio Folder’ feature)
Thanks for the response. Unfortunately that wouldn’t be a solution since I am still working on the clips such as cutting and/or adjusting clip lengths, etc.