Hello. I am very, very rusty with Cubase
I have just recorded the organ part for Whiter Shade of Pale against a backing track. That’s two tracks total. The backing is a karoake type track - OK ish.
To me they sound like separate items playing at the same time. The K track has imprinted reverb of course. The organ is my Nord which, although I have spent some weeks honing the sound, is still harsh and brittle in the upper register - OK ish.
Any tips about how to homogenise the tracks please, maybe warm up the organ. Any stock fx? Which type of reverb?
All advice appreciated 
Z
Yeah, well, this will be way beyond your interest no doubt…but this is what I’d do if I had to get a relatively complete match….
- Outside of Cubendo, I’d unmix the karaoke track into 6 tracks or whatever…organ being one of them.
- Load the new karaoke multitrack into Cubendo alongside whatever it is you overdubbed…muting the mixed mp3 or whatever as no longer needed. Save project in its new 7-track form.. exit Cubendo.
- Outside of Cubendo, I’d load the now-isolated Karaoke organ….and the organ you overdubbed into an editor etc (not cubendo) to do a match-eq…and/or a machine-learn routine for an algorithm to match eq…compression…any distortion..space..and reverb…to then apply to your overdub…bake the result into your organ overdub…export it as a file…import the newly-affected-your-organ into the overall cubendo project..zap or mute the raw overdub.
- Depending on what combo of outside routines you use for the steps (esp the available ai matching out there on devoted sites), you can get a close match….in theory. Back in Cubendo, you can mute/unmute between the 2 organs to adjust to desired whatever.
Personally, I’d only do this when I absolutely must have a sonic match another sonic. Likely not necessary if this for hobbying around at home with karaoke….but it does work 