I like this:
But my attempt to do something like it in Dorico seem very clumsy and doesn’t communicate the information as succinctly to the player.
I’d be really grateful if anyone could suggest a better approach.
I like this:
But my attempt to do something like it in Dorico seem very clumsy and doesn’t communicate the information as succinctly to the player.
I’d be really grateful if anyone could suggest a better approach.
Are you using slash regions in this?
The four bars of slashes and then the 4-bar repeat looks a little crazy for me. I’d have 8 bars of slash region.
Also, I think I’d keep the systems consistent to 8 bars, like the third one.
A big part of the trademark look of the original sample you picture is that it is done freehand, with pen and ink. The digital notation is just too “straight” looking.
It’s impossible at this time to get this same look using digital software, and probably never will be possible. I’d do what DanielMuzMurray suggests - limit each line to 8 measures of slashes.
I think what Iain is after is the multimeasure-rest-like format of replacing slashes for improvised areas.
Yes @Derrek that’s exactly it.
But for the moment I’ll try to make the most of what Dorico has to offer. Maybe No harm in making a feature request…
I agree @DanielMuzMurray - I will try what you suggest.
Thanks everybody.
I can think of a few ways to do this, none exactly as the image though.
Hopefully one of these ideas helps!
EDIT: Just realized the tune is in 3 not 4, oops.
Oh yes @FredGUnn thats so helpful.
I had created version 1 … so much space for such a little bit of info!
So version 3 is a really nice solution I think… Quite clear yet economical on space.
I think the soloist is more likely to get lost in the wide planes of V1 than the neat streets of V3
Oh yeah!
Great! Is that applied to 8 bars or 1 bar? I tried something like that but the Line broke up the bars.
Was really just a quick hack. It’s four bars, I just deleted the bar lines in between.
B.
Ah, got it! I was trying to blast the multibar rest off the screen and then apply it to the consolidated section, but the Line of course was breaking it up.
I like this one. It very clearly states “8 bars repeated”, etc.
Unfortunately, that’s really just a lead sheet workaround though and not really suitable for parts and score. If I want a rhythm part to look like this …
… then the score looks like this:
Not good.
EDIT: Posted that as I was going out the door and now realize it might not be completely clear. Obviously I can hide the numbers, the point is that if I want them to show in the score they are off by 1. Using a bar of slash and then repeat bars like my example 1 above may not be the best use of space in a lead sheet, but allows the parts and score to match.