I want to go back to having a single utility buss/channel that I can momentarily route to for metering etc as is done on large format console etc
It also needs to be able to be routed to by the preview channel
I want to go back to having a single utility buss/channel that I can momentarily route to for metering etc as is done on large format console etc
It also needs to be able to be routed to by the preview channel
Hi,
You can use the FX Channel, can’t you.
Not sure we are on the same page
Ill try and explain
On a hardware console, because there are limited eg meters etc, by pressing the listen (on some its the solo with a diff secondary button) it routes the signal to a dedicated buss with meter etc
The idea is, when doing pre clean work on a track, I bake in some rudimentary processes like gain and compression and ends up with -18db signal average for system gain staging. This is especially true for the sub channel of eg a bass guitar which I split into xover
A <100hz
B >100hz
The A part is always limited/ compressed with approx 6db wave crest ratio. The actual final control happens in the insert fx where I might use a soft limit etc
The thing is that, as per my other post, this track pretty much always looks identical (after comparing many tracks that were done only by hearing) and this is using the meter on one of the Sonible plugs…it makes it all insanely simple and visible
SO
I want to be in the DOP dialog, applying the comp/limit etc there and be able to simply have the preview go to a dedicated listen buss as per above
At the moment its either phones or active monitor. This is especially problematic as the master/monitor outputs are on 2.1 system and the bass sub is routed to the LFE
can’t you just use a metering plugin of your choice (e.g. supervision) as a control room insert and then anything you solo will be shown?
M
Yeah that’s how it’s hacked at the moment…just wondering if anyone had a more elegant solution. I also need a dedicated mix else the preview is sent as stereo and not lfe. So the inserts for a monitor are pre fader else you have to use global inserts which ruins the other monitor options
Ps as in my other post…supervision is good but def after the Sonible type level histogram
Since Cues in the Control Room have their dedicated insert slots, maybe you could use a Cue Send?
Unfortunately cues dont address preview/dop routing
Just needs to be the same as a listen on a real desk
The preview channel always goes directly either to the default output bus (when CR is off) or to the Main or Phones section of the CR. It is mixed into the selected output.
There is no accessing it seperately in any way afaik. Thus no isolating it or metering of just the preview channel is possible unless you simply don’t playback the project.
Just making sure…
Looks like i will dedicate monitor 4 as its not essential (i use 60/30/10 mix principle so only need 3)
Not ideal but im amazed that control room, being such a hardware paradigm didnt consider this…well especially with preview in mind
Cheers