How to create a free bar for a recitativo

Hi fellow Doricians !

I have just copied an entire opéra fantastique from Offenbach and I run into a problem I think Dorico handles well, but I can’t get it work the way I want. Can you help me understand the procedure ?
There is a bar of a recitativo, the piano is written in 4/4 but the singer has a lot of notes… I tried creating a free measurement for the singer, but then this “free” bar goes beyond the rythmical boundaries of the measured bar of the piano. Do I need to “fake” it as I used to do in Sibelius — when I got a chance to use it, but this was a long time ago :wink: ? The workaround was to use as many hidden tuplets as needed…

Hi Marc, I’m trying to understand, but I’m not sure that I get the situation fully or could help much without seeing it. Could you maybe post a snapshot of the measure from Offenbach? …would be interesting to take a look. Thanks, Kevin

Dear Kevin,
Yes, you are right… Even in french, it would not be easy to describe it. A picture is worth a thousand words !
Capture d’écran 2017-03-08 à 01.30.06.jpg

Instead of a free bar, I’d do it as a tuplet and hide both number and bracket. The ratio would be, using 8th notes, 19:8. I know you mentioned something of the sort, but it’s a single tuplet and it looks really good in Dorico

Here’s what it looks like. I left the signpost
tuplet.png

Thank you Claude !
I imagined Dorico could let me do that without the workaround of a hidden tuplet, but rethinking of it, if there were such function, it would be actually this workaround automated. So I thank you for doing the math while I was sleeping :slight_smile:
I must admit that it does really look good !

Claude’s solution is really cool. I tried it as open meter and got this:
Screen Shot 2017-03-08 at 9.30.58 AM.png
There is still a problem that the second Cs of the tremolos come too soon. Unfortunately the offset doesn’t work yet and there is no way to drag them unless there’s something I don’t know!? But using the open meter it was very simple. For the fermata, I used the hack of copying it in as text (shift-X) since I couldn’t suppress Dorico from adding the fermata to all voices. Likewise, to have Récit appear above the singer’s staff I used shift-X. If anyone knows how to do both without a hack or, using open meter, offset those Cs, I would be very curious!

All best,
Kevin