Kind of. Iām just saying that youāre not getting more for less cash in most cases.
HALion has been in a slow cooker compared to a few other products. At the end of day it boils down to ādoes it fit your needs, and do you use it muchā?
Yeah, pay way more for way less on a number āsoftware productsā. Not just in the music world. Itās much worse with the stuff on subscription models that charge no less than $200 per year, have MUCH bigger user bases, and still mostly put out āservice updatesā with only a minimal amount of actual ānew featuresā.
As for the talk about āout of date soundsā (maybe not from you, but others in the thread have said something like that). A lot of the newer stuff sounds like penny art to me. Itās SO LOUD and aggressive that there isnāt room in a mix to do much with it. Modern mixes have no depth, no dynamicsā¦just compress, compress, side chain to bring something into the foreground. It reminds me of the differences in visual artā¦the stuff that has depth and perspective, shadows, lighting effects, etc, vs the stuff that is flat as a pancake without lighting effects.
Plus, Iād say a Stradivarius violin is a really OLD soundā¦but itās still keeper. Itās voice that is ingrained in the languages of humanity.
HALion sounds have a warm/flat characteristic that has been a part of the industry for a very long time. The stuff is much easier to deal with in live mixes, or situations where you simply need to āknock it outā and get a lot of content produced in a short time. Itās not everyoneās cup of teaā¦but there is LOT in the box to make nice music with for less than $500 at initial purchase.
Itās fine if it doesnāt inspire you, and your preferences and needs steer you in different directions.
To me the HALion cycles have been alrite. The instrument has been worth what Iāve invested in it. Even with near daily use, Iām always finding something it can do that I didnāt know about in the session before. I find it pretty quick and easy to shape up new sounds as Iām imagining they should sound and work. Particularly with huge multi-track textures in surround sound (H5 was already king of that realm to meā¦and it didnāt even do onboard sampling yetā¦but I could take in 8 mics at a time and just drag it into HALion and start shaping up an 8 channel patch).
Is it for everyone? Nahā¦
Is it worth the asking price, and $99 to upgrade 3 to 5 years down the road?
Has been āfor meā, but I already liked it āas it wasā several versions ago, and use it often.