Hi, all.
Seems like each time I post a topic on here it’s about condensing: either I still haven’t gotten the hang of all its nuances, or it can’t quite do what I hope just yet (I understand it’s constantly being developed and improved).
Is there a way to globally ‘re-set’ the condensing for my piece without starting a new file and re-building my work? I’ve updated several times since condensing was introduced (running latest 3.5.12) so it’s possible that the improvements mean many of my manual condensing changes are no longer needed.
I have a 4-flow work for orchestra, and last I counted, this piece (795 bars total) has 257 forced condensing changes that I’ve had to put in. There are cases, like in the attached images, where I need multiple in a single bar, or in every bar of a phrase, to get the correct behavior of slurs, dynamics, and player entrances (the vast majority are to fix slurs or rogue “1.” and “2.” that appear all over the place even though voices are shown and stemmed correctly.
If I had been able to set them once and forget it, fine, but sometimes I change notes, articulations, or dynamics, and it adds new glitches, at which point I need to comb through the entire score again to find them and see if it’s correct. Other times, I add a condensing changes and it affects a different bar upstream or downstream, so I have to go hunting there, too.
In this example, I need all of these condensing changes to force the winds to show ‘a2’, to force the horn slurs to amalgamate, and to force the trombones to show ‘a2’ even though they have exactly the same music. Despite this, the trumpet slur in bar 99 and horn slur in bar 1000 are impossible to correct, no matter what I try:
In this example, all three condensing changes are used to force the bassoons to amalgamate stems and slurs. The second one is used to force the trumpets to amalgamate, and the third seems to be the ONLY plate in this phrase where I can place one to force the flutes to amalgamate:
Thanks!