Is there still no way to add more than 14 effects to a track?

It’s really not a matter of a single engineering task—I’m speaking in broader terms. A design direction if you will. We are seeing a change in how audio professionals use and relate to their digital tools. The stigma that a mixing console, compressor, reverb (or any tool really) has to operate in a fashion directly descended from the analog world is dissipating and we are seeing this in tons of innovative plugin designs that in turn are celebrated by its users. It’s evolution and that is good.