I just pulled the trigger on SL 7, I was waiting for the Black Friday sale.
I tested it few months back and asked many questions here, that were all answered in a blink of an eye by the support team, and of course like everybody was trying to understand who was the best between SL 7 and Izotope RX. Which is not fair as fundamentally the approach is different, and both soft have different history, philosophy and goal.
At the end of the day, I trust SL & Steinberg, the seamless integration in Cubase is priceless and I am sure SL being part of the Steinberg family we can expect a way more aggressive roadmap that will make SL way better at what RX does, and more. The SL angle to give more control and of course the visualisation aspect gives foundations to go beyond audio repair and ne more creative.
Long story short, Bravo Robin ! Your âbabyâ is killer & will beat the competition hands down soon, if itâs not the case already.
+1 As a long-time Steinberg user and a user of SL since the Sony days, then MAGIX, I was so happy to see SL move to Steinberg (and by extension Yamaha), who really âget itâ! Well done to Robin and all at Steinberg.
I also have had SLP since version 1. Iâve also bought RX5 (possibly even 4) onwards, the later purchases being Adv - though I havenât gone to 8 from 7.
As gorguts6 says, SLP and RX have different approaches. Nothing wrong with that. Iâve always found SLP much easier to use for manual tasks like âhighlight/deleteâ and âcopyâpasteâ with the clone stamp - probably Iâm just more comfortable with it due to regular use. While RX can do that also, RX is more aimed at auto fixing audio via its many plugins (VST also for many of them).
In my opinion, both products are excellent and I wouldnât want to be without either because of their different specialised functions.
So I also thank the SpectraLayer Pro team for the ongoing development of SLP.
Izotope seem to be leading the pack in making their mastering programs more like DAWâs, to appeal to a pop-oriented, younger crowd with more disposable income, I guess. Iâm just not interested in things like guitar-string de-squeakers, one-button âexcitersâ, stem-separators(!), and other wonderful stuff like that.
Thanks for the kind words !
For what itâs worth, I also feel like SpectraLayers is finally home at Steinberg. They understand it, and seem to have a clear vision for its future.