What that does though is it stops you using the drum map as a standalone editor (1 or more drum tracks) and it’s great that it names the notes (never knew) but still when the preference is checked it manages to open 2 editors at once.
I’m pretty keen on the Inspector in the Key Editor, let me say but I’d appreciate some work in this regard as well.
When notes are “recorded” via the drum map, truncate them to 64ths of a quaver so they show better in the key editor and cannot be confused with other notes (notwithstanding being labeled) so the key editor is tidier.
Hopefully I will be able to tab along to that section quickly, as editing drum velocities is made all the more of a drag how it is now.
Maybe steiny can still improve access to the old dialog because the way ALT works with the hidden menu functions is completely rare and brilliant to say the least.
Well in the C5 forum I have now been thrown in at the deep end in terms of the Logical Editor which has admittedly opened new doors to my understanding but in that thread I find myself pining for an arrow key/modifier function and pray to the Steinberg gods that they will implement this “radical” idea.
That’s it Lord SB, we can only surmise at what or how anyone’s particular system works but my request is to be able to use the arrow keys with a modifier to move notes by ticks since although the Logical Editor is very powerful, having some of those functions available via a standard keyboard interface would as I see things seriously speed up workflow in all areas of the application whether they be the Key Editor or multi-track drum editing and I hope you share my view.
What is it that you’re attempting to do? Any pic’s to explain your particular problem?
If we have no idea what you’re trying to do then that will apply to any developers following the thread. Well, they’re probably better clued up than most of us but I’d hazard a guess they still need more detail.
On the face of it it looks like you have an awful editing job to do or maybe have painted yourself into a corner and overcomplicated an own composition. You wouldn’t be alone there.
It’s just that as I can see there is no great rush (yet) of users with the same issues I presume the solutions you refer to are unique to your work method. Just trying to get some focus.