But Again. Cinema vs. Music. If Steinberg want to make any inroads in the Immersive Music world, Then they have to stop framing every conversation from the viewpoint of the movie mixer, and consider the music market. Millions of people are using DAWs to make immersive music only releases. The $60 version of Reaper can already do most of what is needed in the Immersive world. When they get the Atmos Renderer to work in the App…Steinberg won’t get new customers in that market. So,I want to help get Nuendo there. I have been using it for over 20 years. There are a handful of things that could be addressed that would make a huge difference. But only if viewed from the lease of music production and not film.
360RA? Auro-3D? MPEG-H?
I cannot get Nuendo 11 to work for me for music projects. 10.3 has a lot of work arounds. But they work.
People keep using the word “Normally”. Unfortunate. Creativity, and client, do not live in “Normally”
In the 60’s, one would not ever Normally put the kick drum mic close to the kick, One would not intentionally distort a guitar, or grab the flanges of tape reel when recording…
The LFE send in 10.3 works. I can send to the LFE out as needed. pre or post fader. Depending on the project. With N11, I can put in the send, but the signal flow is broken.
What I am asking for here is to fix what is broken.
If you are mixing film (or anything) and don’t want the signal in the LFE, then don’t put it there. Simple. If one is worried about signal getting into the LFE without knowing about it, then you probably have other, bigger issues…
btw…Please please stop using the term 9.1 to reference 5.1.4 or 7.1.2. They are not all the same. 9.1 means 9 speakers on the floor and an LFE.
It is concussing to anyone on the receiving end of those files. And not industry standard.