Well, I think I finally guessed what you wanted to do in my previous post. In your first post, non-Cubase users had to guess exactly what the Cubase commands did, which wasn’t obvious (not to me, anyway). One way to interpret your original post was that Cubase was doing some sort of automatic time-stretching (or recalculating the tempo) on the music between two points…
Put the music for the 3:05 cue in its own flow, and set the attachment position so the flow starts at 3:05 in the video. Editing the other flows in the project then won’t interfere with that one.
At the end of the process you either make separate audio files for each flow and assemble them outside of Dorico, or you can set the gap between flows to 0 seconds and play the complete project straight through, or you can copy-and-paste all of the finished music into a single flow if you want.