I don’t think there’s really any debate. For certain types of music, it’s gonna get processed for loudness anyway, and it’s absolutely true that this processing alters your mix balances (in my mind I also want to assert that in a way it alters your EQ curve, or at least psych-acoustically it does – doesn’t louder usually mean it sounds brighter, also?). So it makes perfect sense to mix into compression… that way you get the balances right with some underlying processing for loudness in place
If using an ME just make sure there is enough headroom to make small eq tweaks and balance the level for all tracks on the album.
I mostly mix into a compressor but the output is usually about -18db rms with peaks around -6dbfs. To get up to something like commercial levels I just need to raise the overall level of the file and use just a little limiting. In effect, if I raise the overall peak level by 5.5dbfs I end up with an rms level of about -12.5db.
One thing I like to do with the mix buss compressor is to get the attack and release times working in time with the music.
Actually, if you’ve heard any of dave’s music, and I have, it’s not really the kind that calls for mix bus compression. I still think it depends entirely on the type of music you’re dealing with
Yes, that’s exactly what I never avoid, and so shouldn’t everybody else! I never cease to stop being surprised how a simple rule of thumb turns into some kind of guide line when there are proper rules to avoid. Period.