An online orchestration course said not to put pickup notes under slurs (as shown in my example). I laboriously moved all the slurs so they did not include any pickup notes; but the result sounded horrible, so I changed them all back.
What is your opinion of pickup notes under slurs? Thank you.
There’s also a general comment to make about relying solely on software sounds and playback to determine the merit (or otherwise) of a particular piece of composition/notation/orchestration.
They will rarely be a completely accurate representation of how real human performers would interpret and deliver what you’ve written, and (in my opinion anyway) you should write/notate your music for the intended target audience (ie if you want it to be played by people, notate it for people, not a computer).
If you’re using Noteperformer, it has its own override for this setting in the Expression Map. Noteperformer does certainly play non-slurred/non-legato notes quite short.
Thank you, @benwiggy . For dummies like me, can you tell us where to find this setting?
I use NotePerformer to play back a combination of VSL, BBC, and native NotePerfomer instruments. The issue is most painful with strings (BBCSO), but it affects winds as well.
If you are playing around with the NotePerformer map, make a copy and work on that (and remember to point your noteperformer instances to use your own map rather than the original )
Slurring over the downbeat is more common when it is not string instruments (although you will find it in strings less frequently). The best way to slur will often be very different for woodwinds than with strings.
That’s what I was thinking. The statement originally referred to, “don’t put pickups under a slur,” sounds odd to me – certainly it’s not something I would have said in my years of teaching orchestration. But applied to string instruments, it makes a certain limited sense. It’s more in the nature of bowed instruments to begin a musical thought on the downbeat, with a down bow (and slurring for strings is an indication of bowing). They can include the pickup in the bow, of course, if that is essential in a certain case, but as one learns to think like a string player, one starts to think about bowing “with the meter” as the normal routine (with, again, exceptions possible depending on context), different from how the slurs would fall for winds.