I rely a lot on the visual cues from track backgrounds coloured by type, as well as the assignable track title colours, to navigate quickly around the mixer. Especially when the track count gets high.
assuming that this behaviour is confirmed, +1 for having it sorted ASAP.
Looking at some other screenshots, I can see where they are comming from.
The tracks now show their individual colors in the track type field,
which simplifies the track / channel coloring.
The only way to distinguish between different types is now the symbol, in that area, though.
While I understand this approach and see the benefit, I’m sure this will be much harder to navigate !
So, please find a different solution !
( will offer one if I have some more time … )
I think we could actually take this a little further… we need to be able to customize the mixer more, as per MOTU DP7, ProTools, et al… At least the colour schemes, if not modularizing the components of each strip.
I agree with this too. Either way (back to C5 or further to PT9), but please SB do something, the mixer is too confusing in C6.
I work with 80 to 100 tracks on each project. No way I’m going to sit in front of 90 grey tracks everyday for several hours. This is workflow killer.
semi-supported information. We still need to see what the combination of all the new coloring features will allow. But, it seems that the only difference is a track icon. But again, until we SEE it … The manual is pretty sketchy on the issue.
You can colorcode the tiny space at the bottom of the channel strip → individual track colors are still there in C6.
But the color around the fader you used to have to identify whether it is an audio, FX, group, instrument, MIDI track seems to be gone (to be confirmed).
You have now to rely on the track name or the little color at the bottom to identify the track type. Which makes things harder.
Woah!!! I didn’t notice that. Steiny, what the heck are you guys thinking? I depend on those colors to help find my channels when I have high-track counts. COLORED CHANNELS PLEASE! The excellent fully-colored mixer channels are the few things that temps me to switch to Pro Tools. Do the programmers at SB actually ever use Cubase in real life? I hope Steiny does the intelligent thing on this.
As I said, I see the will to streamline the color management, with only one adjustable color for individual tracks / channels / parts.
But the second fixed color for channel types was a real help, navigating through dozens of channels.
E.g.: my color for drums is light blue. In my drum folder I have audio, midi and group tracks often with opened automation lanes or even subfolders. All parts are light blue.
But the tracks have their own ( 2nd ) color per type. So I can easily identify the group channels, for example.
This would be much harder if all tracks where light blue, only differing in the symbols.