Respelling of Chord Symbols-Is there really no way?

It seems Dorico does not allow you to respell chord symbols. Am I missing something?

I needed to be in C# as opposed to Db as the song alternated between the keys of C# major and C# minor. Where Db would have been preferable under normal circumstances, this was a rare case where C# major made much more sense.

I was able to change the key of the Db section to C# and also change the note spelling with no problem. However, no matter what I tried, I could not get the chords to respell. I ended up having to rewrite each one individually. That was a grind with 250 of them.

Any ideas or fixes out there?

Thanks,

Phil

Maybe Write->Transpose helps. Here with a diminished second and chord symbols selected.

Jesper

From:

To:

Or with the note tools popover (Shift-i)

Jesper

Hi Jesper,

I have tried this (t-2) with an Ab chord symbol, and Dorico changes it to Gbsus4. Do you have any idea about why Dorico adds the “sus4” suffix…?

Thanks!!

Did you try with t-2d? The d is for diminished. A diminished second. Also, t2d for the other way around.

Jesper

Hi Jesper, sorry, could not answer you before.

No, what I wanted was to use your hint to transpose a Ab chord one tone down to Gb, but using “t-2” adds the strange “sus4” with no aparent reason…

Thanks anyway.

Edit: and it gets weirder: if I type “t+2” the resulting chord is Bb(b5). Something strange is going on here…

OK, try using Write->Transpose instead. Transposed an Abmaj7 to a Gbmaj7 with this setting. Use the calculator to the right. The Shift-i ,t-2d work for enharmonic spelling at least.

Jesper

Then, the shift-i must not be intended for chords, I assume.

Thanks!

No, not really, I guess.

Jesper

Edit: See @Janus post below.

Shift-I is applied to every individual note in the chord, which is why, if you specify the interval (eg. shift-i t M3) the result is correct, but if you only specify a scale degree (shift-i t 3) the result will be less predictable.

eg. (In C major) a Dm7 (d,f,a,c) → shift-i tM3 → F#m7 (f#,a,c#,e)

but Dm7 (d,f,a,c) → shift-i t3 → Fmaj7(f,a,c,e)

You left off the final letter d.

t-2d

I explained the need for qualifier above.

And your correspondent still missed it.

@Janus is the note tools master.

Jesper

Thanks, Derrek, but I wanted to transpose one tone down the chord, I did not want to replicate the diminished thing.

As we have found with Jesper, it seems that the “Shift -i” tool is not intended for chord symbols.

EDIT: ups, I have just seen the Janus post, so it works but specifiying exact intervals, not just degrees.

Thanks, Janus.

That seems clear now. I will try it ASAP.

EDIT: perfect, it works! Thanks again.

Thanks so much for this. But wow, they make some things so difficult!!!

Well, even if the suggested methods work well (and are logical and consistent), it would be nice if the Respell Using Note Name Above/Below commands would be implemented to respell Chord Symbols as well (@dspreadbury).

Yes! :star_struck:

Not only this, but it would be great if Opt+Shift+arrow would transpose the chord symbols up/down half steps too, just like it does for notes.