The delight of parallel CC lanes


I’m really in ecstasy with the new parallel CC lanes. There are things that had to be done blindly, and that can now be done with total accuracy.

Something I do everytime is editing CC1 (dynamic modulation) and CC8 (Timbre Adjust in VSL’s Synchron Player) in parallel. As in a real acoustic instrument, I like to make timbre and volume variations interact.

Add to this the crossfade between non vibrato – vibrato – molto vibrato, or the nuanced volume adjustment with CC11, and you get the picture. Or, better, an accurate sound.

Bravo, Dorico Team!



Great, I’m really pleased to hear you’re making good use of these new features, and that they’re meeting your needs.