I’m really in ecstasy with the new parallel CC lanes. There are things that had to be done blindly, and that can now be done with total accuracy.
Something I do everytime is editing CC1 (dynamic modulation) and CC8 (Timbre Adjust in VSL’s Synchron Player) in parallel. As in a real acoustic instrument, I like to make timbre and volume variations interact.
Add to this the crossfade between non vibrato – vibrato – molto vibrato, or the nuanced volume adjustment with CC11, and you get the picture. Or, better, an accurate sound.
Bravo, Dorico Team!