Surely now suggesting ways around protecting your ilok on the move is proof of how ridiculous the system is.
Here’s it from my angle. I think Steinberg has made a mistake. I think they haven’t realised that the way customers use scoring programs, in general, is different to the way customers use DAWs (Cubase). My studio mac with my DAW has an ilok and an e-licenser sticking out of it, like so many people, and I don’t mind at all. The problem is that a large number of main studio DAW machines composers, producers, etc. use stay in the studio and Steinberg’s dongle protection is fine when that is the case.
But programs like Dorico, Sibelius and Finale are not used in the same way as the ‘stay at home studio DAW’ and Steinberg hasn’t accounted for that. Notation software, for a lot of people (yes I’m speaking generally here), is used on the move: students taking their laptop to a lesson or class, composers making on-the-fly adjustments in rehearsals, orchestrators and composer’s assistants making notes during recordings as just a few examples. The last thing I want is for a client to want to see my score; I have my laptop with me but not the dongle as I didn’t think I’d need it, and I have to say “sorry I can’t”.
I for one do not want to buy into the faff of having to have my dongle with me/transfer the license beforehand every time I want to use Dorico on my travelling laptop. The dongle protection software has been made, and developed over time, for a different customer base with different work needs and Steinberg’s market research, I feel, has not taken that into account.
I refuse to pay for a program that restricts me and suggestions of buying two licenses just to get around it is absolutely ridiculous.
It’s a shame as this issue, and even this forum topic (which has massive interest compared to every other), is a blemish on an otherwise flawless product reveal and build up.