I’m relatively new to Dorico and trying to set up a musical theatre score that has a decent playback. Decent in terms of: People will understand how it’s meant, but it doesn’t need to sound too real because the “real thing” will be with real instruments and singers.
The one part I’m struggling most is finding a dynamic balance when playing the score. My setup consists of six players for vocals (two solo, for chorus), a rhythm section and a brass player, a reed player and a cello:
Mainly I’m using the bundled instruments, but during the Summer sale I also bought the Olympus Choir Elements with hopes for better voice playback.
I have several problems and hope that someone with more experience can help:
Male/female breakpoint in Olympus
I didn’t find a way to define the “male/female” breakpoint between the layers. Currently, at C3 the voices switch from male to female. For baritone and tenor parts, this sounds quite strange and of course a C3 sung by a man (normally ;-)) has a different tension than a C3 sung by a woman:
Is there a way to change this?
Two notes in the same staff
I occasionally have two or more notes in the same staff:
This leads to very strange playback using Olympus Chorus “Sustain Aa”:
Is this normal - do I need to do some thing differently - or a special problem in my Dorico project?
How to maintain a balance in tutti parts
In tutti parts, where the band would play forte and the ensemble would sing forte, the ensemble is way softer than the rest of the band. Obviously, the reason is that the voice samples are softer and they have less attack than e.g. a trumpet.
I assume I should level out the general difference using the mixer, meaning to drastically reduce volume of the non-singers. Or are there better ways?
Thanks in advance for your help.