For me it is not a feature as such (besides chord recognition) but the way Cubase does not horizontally max the screen in a random way when zooming in the project page.
I experienced this on previous versions all the time and thought it might be my graphics card but alas it occurred on various systems and it was as always, totally annoying.
Now Cubase is nearing pure bliss for me to use at least in this regard.
Cheers Steiny your app is a work of the finest art form!
VST Expression. To me it’s what sets Cubase apart from any other DAW. It’s really a unique feature that unfortunately most people don’t understand, let alone use. But once you discover what it can do for you and take the time to learn it, then you can’t live without it.
I had been banging my head against the wall under the old ‘hardware mixer lookalike’ paradigm for how I would provide a self-mixing facility to be used in the studio. Control surfaces were just too limited in configuration for the faders to directly manipulate cue sends (or that I could find out). And getting just the channels I wanted remotely was proving difficult, notwithstanding that the tiny channel studio cue sends were just too fiddly for touchscreens, and the cue sends being horizontal end-to-end was just not visually comparative enough.
Mixwindows, with visibility and grouping on a per channel basis, are just a breeze to design a workable configuration with.
I now have a dedicated mixwindow, with:
a) Several group channels, including a ‘Me’ for the currently recording, fed by channel sends, feeding a master group sent to a studio cue channel. The main faders of these groups become an touch-friendly performer-adjustable mixer.
b) Transport controls and markers (though they could be more touch sized and be able to be docked to the bottom).
c) Control room.
It has worked out well and has been the enabler for self-recording away from the main Cubase windows.
However, I have made a few suggestions to make mixwindows even more flexible in:
To me they seem like styles in MS Word. You can safely live without getting into how to set them up, but once you get your head around them, NOT using them is just a huge waste of time and so limiting.
This might not be the “most compelling” feature for me but I do have to admit that being able to use the mouse wheel to zoom horizontally or vertically is nice. Even more so when you can “micro” zoom by pressing the (shift) key while using the mouse wheel.
search function for plug-ins etc. In my mind it solves the folder organization issue when you can just type a few letters and have all your reverbs or choruses neatly listed. No need to scroll for that Lexicon either. Perfect.
zones. I love having my group buses visible at all times. Or zone a couple of tracks you are juggling.
the new edit channel windows. Gotta love that instant signal flow. Back and forward buttons. Scope in the EQ window. Actually everything about it.
Linking & Quick link are fantastic. Being able to customize what is linked and then override with just an opt key.
That’s just off the top of my head. The channel font size is driving me nuts, but at least I can see what the track is by hovering until it’s fixed. Also the labels on the sends. Shouldn’t have to open them to see where they are going.
I’ve been using C7 for a couple of months now on Snow Leopard. Working fine since 7.0.5. UAD playing nice (I’m using MR816, not Apollo). I’ve noticed that plugs occasionally don’t work after loading unless I turn them off and on again, but not a UAD problem since it happened with a particular Waves one too.
All in all, I’d find it difficult to go back to 6.5 and miss all these great new features.
The only thing I could ever really want besides cleaning up the general appearance, is to be able to re-order channels independently in the MixConsole, as opposed to the Project window. This would/should allow one to have a default view, i.e. “channel order follows project page” or “order channels freely”.