After a few bugs squashing in the later pre-releases this software is a thing of beauty!!!
I’m running a full 6 musicians band drums included, and all audio video lights service, 6 iem, 2 wedges, stage mixes, foh mix, compressors, eq, gates, delay and rev, autotunes, limiters, all automated, click, audio cues in the iems, lyrics, videos, multilple lights, backing tracks… all byyyy myyyyy seeeeeeelf and from a 2U rack
This software need a lot more love, a few more help to dev team, and waaay more ads and promotion!!
Spread the word to every indie band and musician!
If this continue to grow I fear some form of sabotage from the big services industry hehehe
Now… if we can just squash the last bug with tracks input resetting to nd I’ll be finally feature complete and bug free for all my needs
I harness a tenth of the capabilities using VST Live for live keyboard/guitar performance with a band that doesn’t play to click. However, I am exploring ways of integrating VST Live with youth musical theater production alongside TheatreMix. TheatreMix with its DCA management is so powerful for the fast cue/mic changes. So far, I am using VST Live for backing tracks on the musical numbers, special fx triggers, and audio effects on special parts. I am looking at how I can link VST Live songs to TheatreMix scenes for DMX and live instruments. So much potential!
Just to testify that the software is very well suited also for small bands and diy stages, here it is a very well arranged stage system all VST Live mixed and controlled, happy new year folks
Aaaaand here you can find a couple video snippets from a Jamiroquai medley and Bruno Mars & Lady Gaga last hit piece. This are raw audio from cell phone, but I have everything recorded in multitrack to later remix and remaster audio, edit it on videos and have a high quality promo videos live
@Shiroryu shure, how can I help you? In this setup I have 16 inputs and 20 outputs on audio interface. Drum kit amplified with Yamaha ead10 plus 3 triggers. Drum come to audio interface via two channels premixed on the ead-10. Every other instrument is directly connected to audio interface.
Then I have 1 video out with lyrics in front of singers, 1 video out (splitted with external hdmi doubler) for videos to tv’s, 1 usb to dmx cable connected to the little beams on the ground (usually I also have dmx to main spot lights but this time there was venue lights). Every audio source is a global stack, inserts used on every stack and mixer channels (50 plugins total more or less) compressors delay reverbs, autotunes for vocals (slight intonation correction in real-time, not hard autotuned), glue compressor and maximizer on main out. This time there was no front of house mixer and no audio service so I mixed everything in VST live and gave main out to the venue PA. Audio outs are 2 mains (or when needed single instruments out to foh mixer) , then 6 different sends, 5 mixes for inear outs, 1 ground wedge backup for singers. Singers have dedicated inear equalization for their voice (send to a global group where I apply the eq then the group goes only to they’re respective iem) different from main out (low cutted, they hear their lows via bones resonations, so need lowless inear monitor, cut below 200hz).
Many other small things, like effects automation for delay accents, clicks and vocal cues to band members iem for suggestion on soloes, changes, etc etc , months of programming on VST live but a game changer, now we set up everything, do a line check and master equalization, and we are ready, everything is saved in the project ready to go!