Conversion of overtones in sounding notation to fingered notation

Hi there!

Is it possible to convert overtones that are notated in their sounding pitch to the fingered pitch? I am currently engraving a piece in which the overtones are already notated in the score in their sounding pitch, but I need them in the fingered notation for the individual parts. In the attached picture you can see what I want: below the original notation, above the desired result. The partial is always the same.

harmonic notation

In addition, I would like to work in only one file, so if a different display between parts and score is possible automatically, that would be the ideal solution. But of course, this is just a luxury, working in different files is not a big problem either.

I haven’t found a way to do this in one staff. I tried hiding notes and stems in different voices, but that works only globally (and doesn’t work at all on harmonic noteheads).

Do you think you really need the score and parts to differ? That can lead to a different kind of confusion in rehearsal. I would expect a competent director to understand correct harmonic notation in the score. (Same for the composer.) A keyboard reduction would be a different matter …

Unfortunately I will need to do it this way. I am aware of the issues this can possibly cause. I will speak to the composer, maybe he is willing to accept a change, but it is unlikely I think.