I actively want developers to move to VST3.
All the manufacturers that adopted a subscription have maintained the option to buy their software and has the same price as first so I donāt understand what is the problem if beside the option to buy the software will be also a subscription option. I donāt like subscriptions either but as long as I have to option to buy it I donāt care everything else. For more info see Studio One, Slate Digital, Antares Audio, Kilohearts, Plugin Alliance, Waves etc
I am very happy to see the skeptical view most of the users in this thread have. I am certainly among them. Asking critical questions is a good thing, pointing out the ābadā and comparing them to the āgoodā is another.
Question ?
Is the new copy protection going to impact performance in a positive way ?
Are we going to see faster startup times, less pinging the USB dongle must give some sort of benefit I would assume ?
I donāt mind my dongle at all, but if a performance gain would be added to the list of positives, that could make me reevaluate my decision to perhaps jump ship.
There are far too many threads and activity. This has already been answered and the answer is yes it should improve performance although it wasnāt quantified.
Yes itās hard to get get a overview right now. But thanks for the information I will do a search, and keep an eye on official statements.
They would like the plugin vendors to update their stuff to VST3. VST2 has been dead for long time so this is not really a chocking news. There was some vendors that did bride software 32-64 bits plugins similar technique will for this. However I donāt think rosetta2 handle 32 bits intel.
It is good if they move to VST3, but most ported VST2 plugins miss a lots of features in VST3 format. They got the three sausages badge in cubase but they dont work.
People keep banging on about subscriptions. Where have Steingberg said they are introducing them?
They havenāt. But now that the infrastructure is in placeā¦
Itās like holding an unlit cigarette on your lips for as long as possible. At some point, youāre going to light it up, even if you didnāt mean to.
Propellerheads introduced subscriptions for Reason but you can still buy the product outright, though.
But, yeah, if a company goes subscription only then Iām out.
Steinberg has actively decided not to invest into VST 2 any more. The VST SDK is not supporting VST 2 since a couple of years. We are focusing on VST 3 as the modern and future proof technology. We are very open to work with 3rd party company on their transition to VST 3. NI has already released Kontakt as VST 3 and more will come from their side. Unfortunately UA is rather slow in this regards. If you donāt like that, please let them know.
Itās a shame MIDI plugins like CableGuys MIDIshaper and Xfer LFO Tool are stuck as VST2 plugins because VST3 does not fully support MIDI from what I understandā¦
Do you have any substantial information to back this statement?
I know that both companies would benefit a lot from the side chain support in VST3.
I donāt doubt that they will offer all kinds of products, perpetual included. Thereās no reason to completely cut off a portion of their users. It seems that subscription (as much as I donāt agree with the concept, or endorse it) offers benefits for both users and developers, otherwise it wouldnāt be that widespread. For me, a hobbyist, itās not viable financially to be subscribed to many products at once. Before that age, I could save up and buy one product that I could keep for life, and year by year I gathered some instruments, effects, DAWs, notation programs etc. I canāt see how that would be possible if all these were on a monthly bill.
Itās difficult to decipher but it has been discussed in the VST3 dev forums, Iām no expert, but I think VST3 only supports MIDI note out, not CC? Itās a very confusing discussion I donāt entirely understand. It appears the type of MIDI programming used for MIDI effects is no longer supported in VST3.
There is actually a pretty big poverty/low-income benefit to the subscription model as, someone might not have $500 to buy softwareā¦ but could sign up for a month or two for $40 or whatever and make an album, and that two months spent making an albumā¦ could in turn make them $500, or $500,000.
Interesting. Iāll talk to Arne about this.
I donāt discard the possibility of this. To me itās a matter of commitment.
I can see myself subscribing to Photoshop for a month if I have a batch of photos to edit. Because you see, I know nothing about editing photos, so having a professional program just for 1 month sounds like a good deal to me, and itās not likely that Iāll have any use for it afterwards. I could also download GIMP and pay nothing, but thatās veering off-topic.
But, if I want to have a tool at my disposal, kind of how I have a microphone in my locker, things change. I prefer to buy things and keep them, not lease them for two days or weeks.
Oh Iām with you on thatā¦ Phone bill, electricity bill, internet bill, Netflix, car insurance, Spotifyā¦ I really donāt need/want to be paying monthly bill on my art tools.
Iām still grasping onto my Adobe Photoshop CS4.
Just slightly edited you quote