Hoping for help on an audiobook project that was recorded in 16bit wav format. In Cubase, I am exporting chapters direct to mp3 (320kbps, 44.1khz). My understanding is Audible and other companies will re-encode the files to 64kbps.
That being the case, should I add dither to my straight-to-mp3 exports from within Cubase?
I can’t find an answer to this specific situation anywhere on the web.
When to add dither is a subject of some confusion and even controversy. The simplest way to look at it is that you should always dither when going down in bit-depth. So, if you’re going from 24-bit to 16-bit, you should dither. If you’re going from 32-bit fixed point (not floating point) to 24- or 16-bit, you should dither.
However, if you’re bouncing your mix to a data-compression codec like MP3 or AAC, dithering is not necessary. They’re both formats that introduce artifacts into the signal that dither won’t remedy.
The best thing you can do when encoding lossy codecs like MP3 and AAC is to use the highest bit-rate you can and still achieve the file size that’s required for your streaming platform. Don’t confuse bit-rate with bit-depth. Bit-rate measures transmission speed for streaming. You’ll most often see it expressed in kbps (kilobits-per-second) or mbps (megabits-per-second). The higher the bit-rate, the better the quality, and the larger the file size.
When to add dither is a subject of some confusion and even controversy. The simplest way to look at it is that you should always dither when going down in bit-depth. So, if you’re going from 24-bit to 16-bit, you should dither. If you’re going from 32-bit fixed point (not floating point) to 24- or 16-bit, you should dither.