То add few improvements, to my previous request here, that I, and probably many others, would love to see:
- Expression Maps assignable Divisi/Unis., Soli & Gli-altri, Desk and Player numbers.
- This is useful for libraries like VSL Dimension Strings which support real string divisi from Section, down to per player divisions.
- Custom Playing Techniques Categories and Sub-categories in the Right Panel
- For example if we are having various organs would be nice to place their registers in separate sub-categories of Keyboard.
- This will keep the main category Keyboard clear only for the most common keyboard techniques.
- The creation of a Custom Category will be useful in case of rare instruments that have their own specific techniques.
- Cubase-like Control Room section in the Mix Console, where we could place plugins like Sonarworks - SoundID Reference, Reverb, EQ… etc. which can’t be processed during Audio Export.
- Very often we forget about the active Calibration plugin.
- Would be really nice if there is an integrated glyph editor, where we could customize the presence of the desired symbols in order to make the score unique.
- This is far better option than adding watermarks, or other symbols that will guarantee our copyrights.
- Probably it’s time for Dorico to take advantage of MusicXML 4 and MIDI 2.0.
- The integration of MIDI 2.0 will lead to many Expression Maps improvements.
- By the way, Steinberg is the creator of the VST and ASIO technologies, Daniel Spreadbury is the creator of the SMuFL standard which became part of not only Dorico but MuseScore, Finale, Overture, Capella, Verovio, Logic Pro and other apps as well. Here I would like to leave the idea
about Expression Maps standardization. No matter how this function is called in the various DAWs and Scoring Software, it would be nice if one could use the same Expression Maps sets in Dorico, Cubase, Studio One, Cakewalk, Logic Pro, Finale, Notion, Sibelius, Digital Performer… etc.
- Would be great to have Audio Input with a monophonic and polyphonic transcription, which will allow us to use a guitar to record guitar parts, or microphone and flute to record melody…
- Some good ideas could be taken from this software: https://www.jamorigin.com/
- The guitar (and saz) chord voicing differs a lot from the piano, so it will be much easier to grab the real instrument to record chords, or melodies.
- Customizable Metronome, just like in Cubase.
- Probably one of the best improvements in Cubase, which makes the real-time recording more comfortable and precise, especially when one would like to do experiments with the rhythm.
- More folk instruments from Eastern Europe, the Middle and the Far East.
To name few instruments:
- The various sazes / baglamas. I already mentioned them in the following topic:
FR: Saz / Baglama Tabs and Tunings - Bulgarian Kaval, Dzhura Gaida (Small lead pipe bagpipe) and Kaba Gaida (larger lead pipe bagpipe)
More information about these traditional woodwind instruments can be found here, as well as their transposing variants:
https://www.stefanovmusic.com/
About the Bulgarian Kaval:
https://www.stefanovmusic.com/about-the-kavals/
About the Gaidas (bagpipes):
https://www.stefanovmusic.com/about-the-gaida/
Transpositions and Finger Charts:
https://www.stefanovmusic.com/fingering-charts/ - Bulgarian Fiddle - called Gadulka:
Gadulka - Wikipedia
https://www.youtube.com/watch?v=nnqESYInv28 - Persian Tar, Setar (it’s the same as cura baglama), Qanun, percussion - tombak
- Greek Bouzuki
- Turkish Kemence
- Arabic Rebab
Best regards,
Thurisaz