Freeform lyric input

I create scores for players who are not necessarily “reading” the notes (they play from memory, for example). Sometimes I want to make a concise lead sheet, even though the melody and rhythm varies drastically between verses. Usually the verses are similar “enough” that I can fudge a lyric here and there, but sometimes the difference is just too great. Since I know my students are singing from memory (fine with me!) I’d like to be able to input lyrics freely in, say, verses 2, 3, and 4.

I know that I can input lyric text at the carat, even if there is not a note present, but this method is very time-consuming for a whole verse, as one has to move the cursor and invoke the carat for each syllable where one wants to place text.

I tried inputting a whole verse of eighth notes in an unused voice and attaching the lyrics to this, advancing the popover with the right arrow key when I want to skip. I then suppress playback, and then select the voice and hide the stems and noteheads. This works fairly well, but I have to go in and remove many of the extender lines where a syllable crosses multiple notes. Also, there are some formatting issues that affect the first voice.

Is there another way to go about this, in your experience? If so, what has worked for you?

I’m having trouble picturing what you’re after, exactly. Could you share an example picture? In any case, you can probably understand that Dorico wasn’t designed to make this kind of ambiguous or even contradictory notation particularly easy.

Could you not just use a non-breaking space to add two syllables to one note?


@benwiggy @hrnbouma Here’s an example. The first verse melody and lyrics are input normally. Rather than input a second voice with the phrasing of the second verse, I just want the lyrics to follow along with the flow of the music, even though their placement is not connected to specific rhythmic events. You can see the hidden eighth nots that I used as a grid. You can also see how the rests in the first voice are moved up to accommodate the second voice. I will just go in and move them back down manually.

This method works pretty well. I was just wondering if others were ever working like this, and if there were other tips that I might not be aware of.