Help to write this (dotted quarters in simple meters)

help, how can I get this dotted 1/4 note ? measure in 4/4.

Use force duration (letter o) when inputting the dotted quarter tied to the eighth triplet.
If it’s already entered and not showing as you need, chances are you will need to untie those notes, select the quarter, press o, 5, 66. Force duration on the 8th note too, then tie them (T).

1 Like

I tried everything.
with untied notes, I can have the dotted c. but when I manually tie the tuplet 1/8 to the dotted 1/4 it transforms into 1/4+1/8…

That’s why I told you to force duration on the triplet 8th. Tied notes inherit the ā€œforce durationā€ status of the notes inside the tie-chain. Make sure they’re all forced or the result won’t be what you expect (really follow my last advice).

3 Likes

forced duration on tuplet 1/8, do Not tie, forced duration and dot on 1/4, then Tie the notes.
yes there it was.
thank you so much !!
Joakim Sandgren

this is way to complicated just to put an extremely simple and common suite of notes…

this must be a parameter somewhere, I have chosen all the ā€œhalf-note over the middle of the measureā€ etc… but I still have this over and over…!
I start to input all notes without ties and then come back and tie them…
this can’t be the idea of how to do this…? in 3/4.

the thing is that all this works perfectly in


but is completely impossible in

but if you input notes with a midi keyboard and use ā€œbefore inputting noteā€ you loose the possibility to adjust enharmonic spellings like c-sharp/d-flat that always occure with a midi keyboard so that is not a solution either !

I agree with you.
That’s one of the little things that’s unbearable in Dorico. Like many others users, I’d like it to write a dotted quarter note when you type a dotted quarter note on the keyboard, and stop interfering with what you want. We’re old enough to decide what note value we want to enter, regardless of pseudo-engraving rules that you don’t find in publishers like Henle, Schott or Barenreiter ; are they bad publishers ?
I hope that, in future versions of the software, this Ā« automatic correction Ā» will disappear completely, so that we can behave as freely as in any other softwares. :face_with_diagonal_mouth:

2 Likes

I’d input those as dotted minims, rather than handling the ties yourself - if you have force duration active from the start, it should work? Admittedly I’ve not tried that myself.

Or, add a (hidden, if needed) 6/8 time signature here, either for all staves or just this one. That will result in notes being grouping into dotted crotchets (to match the 6/8 meter).

dotted 1/2s gives me this :

a dotted 1/2 true, but mostly it is the first case with a small note bound to a dotted note.
but why doesn’t opt-shift-right do the job ??
I have these options marked, it should be a dotted 1/4 at least when I do opt-shift-right no ?

if not I’d propose that we add an option to cover this case.
an option to have a dotted 1/4 after a tie when opt-shift-right.
opt-shift-right does the job when it’s a tied dotted 1/8…





Right yes, even with Force Duration, entering a dotted minim in 3/4 doesn’t result in two tied dotted crotchets (which admittedly is reasonable, given the implied meter of a 3/4 time signature).

If you have Force Duration active, in 3/4, and enter a dotted crotchet followed by lengthening the note using Shift-Alt-Right arrow, you do get a pair of dotted crotchets. You don’t if Force Duration wasn’t already active before you started lengthening, because then the new note duration simply follows note grouping options, as normal.

I’m not sure about adding options for this in 3/4, when if the meter you want to imply is 6/8, that ability already exists (for you to enter a 6/8 time signature, either globally or locally, and hide it if you want).

hm, I can’t reproduce the force duration dotted 1/4 lengthened by shift-opt-right… I get 1/4+1/8… I start in the middle of the 3/4 bar…

the hidden 6/8 isn’t a solution because all other parts are well in 3/4. this is 3/4 and this is the counter guy…

and, I’m copying several different composers lately, and they all do this kind of stuff, tied dotted 1/2, tied dotted 1/4 over the middle, or start on a off 1/8 position… etc
it’s a common situation

and again this works with ā€œbefore inputting noteā€ but I can’t use that because then I loose the possibility to respell notes (input with midi keyboard).

Are you starting with the existing dotted quarter already having Force Duration activated, as I specified?

You can give a time signature to one staff only, as I’ve already mentioned. More information here:

Yes, that’s what independent time signatures, the ability to specify beat grouping as part of a time signature (eg [2+3+2]/8), Notation Options, and Force Duration are all set up to cater for.

For situations that really either aren’t possible to produce even using those options, or that are very tricky, the team are interested to hear about for future consideration. However, here, I think a hidden independent 6/8 time signature will very easily and neatly solve your problems for you.

yes I have force duration on from the start.
how do you lengthen ? I try with 1/8 grid and even dotted 1/4 grid.

changing the meter is more complicated and even more job than to input without ties and then tie them afterwards. and it complicates the file, and in the music it’s only here and there. there’s absolutely no logic in changing meter for these passages… sorry

I think the fact that it doesn’t make a dotted 1/4 using shift-opt-right is the culprit. there is where it should be possible… with an option like the ones we already have…

it’s actually quite strange… where does it say that a dotted 1/4 is absolutely a 1/4+1/8 ? where’s the rule ? in engraver options ? or perhaps notation options… ? have I clicked an option where I ā€œchoseā€ this ? without knowing ?

joakim

Trying to learn Dorico myself by seeing if I can reproduce some of the presented solutions.

After I found out how to create a Time Signature for just one staff by shift-M 6/8 Alt/Opt Enter and hiding it in the properties panel, you actually can enter those notes as dotted 1/2 notes to get this

well first you need to look for the end of this rhythms in the score, and then put a 3/4 there (that will stop the 6/8).
then you go back to the start and put a 6/8 in the first measure.
than you open properties and hit hide for both of them.
and now, you can go back into input mode and start to put notes…

It’s just much faster to input the notes with force duration without ties and then just tie them manually.

and it saves me from a lot of possibilities to do something wrong with music already inputted, later in the piece…

joakim

I think that the keys we use should have some meaning.
If I hit dot, it should be a dot, and not a 1/4+1/8, because I asked for a dot.

If I want a 1/4+1/8 I use shift-option-right-arrow.

joakim

Joakim,
There have been many, many threads about this strange behaviour, especially since the MakeMusic offer has brought former Finale users to Dorico.
It seems that the Notations Options aren’t working as they should and that this is due to a bug, a bug that we’re currently having to get round by doing some impossible pirouettes. So let’s wait and see whether the development team fixes it soon or not.

See this thread
and, especially the answer of Daniel Spreadbury, six days ago :

2 Likes

Oh ! ?? so it will be fixed… ?
it’s perfect then. .
phew.
very good
I’ll happily pirouetting until then…
thanks for info !
joakim

For what it’s worth, when I’ve handled this style of music before (with different combinations of players in 6/8 vs 3/4, and for different chunks of music) I found it easier to work left-to-right and just add time signatures as I went.

Seeing lots of ties show up in bars was an easy visual indicator that it might be time to switch the meter.

Because Dorico re spells rhythms dynamically, there’s no harm in doing it this way rather than adding the ā€œstopperā€ time signature later first. That’s really just a matter of personal preference.

2 Likes

hm, I always setup the entire score structure / meter etc with the first part I write (like fl1). and then re iterate part by part.
and I really try not to dabble too much with the score structure afterwards, with individual meters and stuff.
It’s barley I can use the Insert mode without leaving the whole score in shambles…

I’ll do the manual tie…

joakim