I’m trying to assign mic positions of various Orchestral sample libraries in Kontakt to Cubase outputs instead of using the default mix mic for CSS within Kontakt. This is how I see most experienced composers approach mic positions.
The problem I’m having is that once I assign the four mic positions (strings ex: spots, main, room) to outputs in Cubase, I lose sound on the individual instrument tracks where the sound normally would’ve come from. You might ask why this matters when I can assign the mic outputs to a single VCA, but this won’t allow me to adjust individual sections or instrument volumes. I know it’s possible to get audio in both because I’ve seen templates where people have the mic positions routed to outputs, while still getting audio on each individual instrument track. I just don’t know how they’ve managed to retain the audio on every track while also are able to adjust mic positions in Cubase outputs. Any help would be appreciated!
