Just saw this week’s Groove3 releases and there’s something a little different for Cubase: Cubase - Remixing Explained
Just thought I’d share in case anyone’s interested.
Just saw this week’s Groove3 releases and there’s something a little different for Cubase: Cubase - Remixing Explained
Just thought I’d share in case anyone’s interested.
Yeah, saw that come across in their email yesterday, but I didn’t have time to start watching. Just watched the first two lessons thanks to your reminder, and I learned one new tip in the first lesson (the shortcut key to move to the next transient – I’ve always just done that sort of thing by zooming way in and working visually).
It’s quite useful since Cubase automatically analyzes all audio files in terms of transients by default. If you don’t need it you can prevent Cubase from doing so under Edit/Preferences. I don’t think that it has any advantages to keep Cubase from analyzing, though.
I didn’t realize that. I don’t really need it for most things I do – I’m mainly trying to get close to the start of an audio section when trimming clips, for example after comping a vocal and wanting to tighten up the clips to what is in the comp instead of where I’d cut things up for doing the comp, or after exporting a submix to bring in as a new track and wanting to trim the audio on the new track. But I’m thinking that, even if this shortcut didn’t get me to exactly where I want to cut, it might more quickly get me to where I need to be for zooming in (i.e. due to not having to repeatedly reposition the cursor, zoom in more, reposition the cursor again, …). And if it does end up consistently getting me to where I’d want to cut, all the better.