I often use “spatial” effects (reverb, echo, chorus, dimension, etc) as inserts per channel, rather than as send-type effects. It fits my mental model, and it avoids a ton of extra channels to keep track of along with their associated clutter.
But how does one preserve the full stereo image of an effect when using also using pan on the channel? For a simple example, put a mono source audio file on a stereo audio track, panned center. Insert the steinberg ping-pong delay, and set its width to full wide. At this point, the echoes should clearly bounce from one channel to the other, both sides being the same volume, although slightly decaying each time depending on the feedback setting.
But now, pan the source full- or near-full-left. Note that now the echoes that should be on the right side are missing. I’m assuming this is because I’ve “panned away” the right side of the audio?
I thought in earlier Cubase versions that the pan control did not affect the stereo image of inserted effects, but maybe I’m remembering incorrectly?
Is there a way to be able to pan the dry audio of the channel, but still have the full stereo width of the echo (or chorus, or reverb, or whatever)? Can it be done without setting up a send or efx channel for each of the possibly many tracks on which one does this?
A quick example based on the ping-pong delay would be to have a mono instrument panned full left, and have an echo on it that started on the right side at full volume, then bounced left/right/left while decaying. I’d rather not have to “bake in” the pan to a new stereo audio file… I’d like to preserve the ability to adjust that pan as the project progresses.
Thanks…