I’m struggling with the metering in Cubase 12 pro.
Changes I make to colors of meters in preferences don’t seem to show up in mix console or anywhere that I can find. I’m also struggling to find a way to change the scale for individual tracks in the mix console.
I don’t see any way to see a clipping indicator on a track other than the output stereo bus. The following pic shows a signal completely overloading the converter, but there is no indication of this in the mix window or anywhere else that I can find.
You cannot change the scale for the tracks in the mix console. It is always a digital peak meter.
And you need to select the correct scale in the dropdown menu to configure the colors for it, namely “+3dB Digital (Channel meter)”.
You don’t see a clipping indicator on regular tracks and busses, because you cannot really “clip” the Cubase mix engine, technically speaking. The signal can go above 0dBFS of course, but it doesn’t clip. You can of course have a look at the meter peak level (the little number at the bottom right to the level value) to check whether it is above 0, just to be sure.
I can work with this when I’m using an ADC like my Rosetta AD that has Peak memory and reset, but if the interface has no peak hold function, how is one to know if there was a peak without constantly monitoring every input clip light?
What interface are you using ? Does it have monitoring built in ?
I’m sure you know that ideally you shouldn’t be anywhere near clipping with a digital signal - give yourself plenty of headroom (12db ideally - possibly even more). Digital is not the same as analog and it’s not about trying to get max level to disk.
There are lots of variables so it’s hard to be specific in your case.
Try swapping the meters to post-fader and pushing up the fader by 1db - that might give you peak lights when the input is over -1dbfs ?
I’m currently trying out the Tascam Series 102i, simply because it was an inexpensive way to get an ADAT input, into which I can plug better converters, such as the Apogee. I believe it has monitoring, though I’m not 100% sure I understand what that means. When recording, I usually monitor the track directly off the preamp into mixing board in order to avoid latency. The last DAW I was using was Pro Tools 6, a long time ago. I remember being able to record a whole ensemble with many tracks and I would see a clip indicator that would stay on for any channel that happened to go over. I know it’s best to keep levels well below 0db, but sometimes performers surprise you with crazy loud performances that don’t match what they did during level check. Like I said, the Apogee happens to have a built-in clip indicator, but most other inexpensive multichannel converters don’t. So I’d like to have a way to see if there was any clipping during the performance with a quick glance. Hopefully there’s a way to see that in modern DAWs. I understand that that 32bit float processing used today opens up the headroom in ways that I don’t think were available back when I was recording last. I can see why this would mean track playback would be less likely to clip, and that’s a good thing! But while tracking I’d like to see clip indicators on the inputs.
yes, although you might be getting confused with some recording hardware (zoom f8n pro etc) that record 32bit float by basically using dual A/D convertors…not applicable in this instance. But yes 32bit float gives loads of headroom.
is the Rosetta definitely maxed out ? - clip lights ARE available on input channels - I assume they light after multiple 0dbfs samples.