DREAM ON. Absolutely not true. Documentation wise, is the midi remote and very especially the API, one of the worst i have seen in my entire life.
Bome Midi Translator pro is a very powerfull MIDI tool, that is WAAAAAY easier to learn, then any Steinberg related midi remote+API stuff. Most of the time, a user will use (midi) terms and language that is familiar to a musician. Therefore most of the tasks can be done by a total noob. If you need to learn something, then these things you learned can be used in other (midi) projects too. So you did not learn something that is completely useless unlike the JavaScript API, where outside the scope and task you might ask yourself, where you can use that “knowledge”, as JavaScript is NOT something common for MIDI communication.
With Bome Midi Translator pro and my Mackie C4 midi controller, i can control my complete midi hardware studio setup: TWELVE Synthesizers, one drummachine, three FX units and my mixer. All with one controller, all very powerful and with every aspect that these machines have to offer: 7-bit, 14-bit, RPN, NRPN, Pitchwheel etc. No matter what you throw at the C4, it handles everything well. If you can understand the (midi) manual of your hardware, you can do basically everything what the manual offers… easy peasy.
In Cubase however, i can not do a $hit with the very same controller to control the DAW. Its practically useless and the (very) limited things that are supported, are not even close to the potential that this controller has to offer.
If the API would be something like Bome Midi Translator pro, then it would be gorgeous and a fantastic thing, but sadly it is only something for coders and not musicians.
Bome Midi Translator pro can NOT help you much regarding this topic and if you are not familiar with JavaScript. Regardless it is still a very nice and powerful tool. A must have, if you want to do serious midi-communication stuff.
BUT BACK TO TOPIC:
I am really buffled and wondering, what kind of people develop or work for Steinberg, that they are NOT AWARE of what relative encoders have to offer or what it really means to have the full scale range and what you can do with this. Maybe they think, it does not make a huge difference if you have 127 steps or 1024. I know at least the EQ case would benefit from a better scaling.