I have a small technical question on inputting my score in Dorico Pro 5. I’ve gone extensively through the user manual, and do not see an answer:
I want to add “accelerando” to span across a 3 bar phrase, with a dotted line after the directive. This is easy to do. However, in the midst of this phrase, there is a meter change (from 3/2 to 4/4), where I want to use a “tempo equation” (1/4 note = 1/4 note) across that barline.
The accelerando is easy to add, and spans all 3 bars. However, as soon as I add the tempo equation, in the middle of the phrase, the dotted line (after ‘accel.’) gets truncated – terminated in mid-phrase at the tempo equation.
I really want both the tempo equation, in mid phrase, yet keeping the “accel. …” spanning the entire phrase, but this seems impossible. The insertion of the tempo equation stops the ‘…’ from going to end of phrase.
Thanks, this makes sense. But it removes it as a fundamental timing
object (which I think play mode may use) and just makes it a text annotation. It’s an option though.
I’m wondering if there is a bug in Dorico, that messes up the dotted line in a gradual dynamic, when intercepted by a ‘tempo equation’.
Essentially, any immediate or relative tempo change will truncate a gradual tempo. It’s the intended behaviour, though I will grant you that in the specific case of a gradual tempo change that spans a metric modulation, it’s unnecessary.
Many thanks. It still is a bit strange, because fundamentally I’m indicating that the underlying pulse of a fixed quarter note is continuous, in spite of the gradual acceleration across this phrase, yet the mere presence of a different denominator in a meter shift (i.e. 3/2 → 4/4) terminates the dotted acceleration line.
One more weird feature of this example:
The phrase actually has an earlier metrical modulation (6/4 → 3/2) which does not truncate the dotted accel… line (!). Only the later metrical modulation (3/2->4/4) terminates this line.
Is this somehow because the former modulation has no change in # of 1/4 notes per bar?
No, it won’t be anything like that. If you’d like to attach your project (or, even better, a minimal cut-down version that only contains the affected bars and a single instrument), I can tell you more about what’s going on.
I can’t figure out how you managed to persuade Dorico to create the gradual tempo in such a way that it isn’t truncated by the tempo equation, but clearly there is a way!
However, my recommendation for stable results would be to use a system-attached text item to provide the tempo equation, so that Dorico doesn’t truncate the gradual tempo.
Or, use two gradual tempos, one either side of the tempo equation.
Hi all,
As recommended, I’m trying to create and attach a ‘tempo equation’ as system-attached text. However, I don’t see any options to include note equations in such text – only keyboard characters (i.e. letters, etc)l… I’m following the Pro 5.0 manual, and clicking on Popovers → Text (in Write Mode).
Thanks, but can you give more detail?
I’m on a Mac, I open system text (Popovers ->Text), then switch the font as you indicate from Default to Music Text.
Still unclear how to enter notes – at this point, the popup small menu still only lists font size, centering, etc., no notes shown.
Do I additionally need to select some font category?
Thanks for the pointer, but I still don’t see it. On p. 388 of the Pro 5 manual, there’s a section on “Insert Music Text dialog”. On my Mac, in ‘system text’ mode, with the text popup menu, I don’t see how to get this music dialog box. I’ve selected “music text” in the system text editor character style field, but get no dialog popup.
I’ve been entering “system text”, to create Tempo Equations across barlines, in the middle of gradual tempo changes (accel., etc.), as suggested.
I can easily create and enter the ‘text’ system equations. However, there still is a problem. In a normal full score, with multiple instruments, one normally enters a Tempo Equation once, above the top staff of a given system. This equation is then propagated to all the individual part layouts.
However, when I replace the tempo equation by equivalent system text, in the full score, in the midst of a long gradual tempo change, it does not propagate to all the part layouts. Instead, it seems to be treated as belonging only to the instrument on the top staff of the system and propagates to that one part layout.
I could enter the tempo equation on every staff in the system, to ensure it is propagated to all the instrumental part layouts, but this looks weird and it isn’t proper music notation.
Am I missing something? Any input or workarounds appreciated.