I’m finding that I have to do a reasonable amount of manual adjustment of aligning elements like rehearsal marks and tempos, etc., and am wondering if there’s anything in the layout settings I can do to improve this. I’ve set the rehearsal mark placement such that it’s not too far from the staff, but so that it doesn’t overlap with the clef much. If I put it far enough from the treble clef to avoid any contact, it’s a mile away from other clefs, and also a mile away from the staff when it appears in the middle of a system. But in many cases the tempo marks and rehearsal marks don’t really align well.
Maybe this kind of manual adjustment is unavoidable, but I’m hoping I can get closer. The pdf attached is an example of a part using my settings, with no manual adjustment other than adding some system breaks. The excerpted Dorico project includes my settings (see the guitar part layout options).
AWW - Jazz Orchestra - test.dorico (1.7 MB)
40 - All Without Words - Guitar.pdf (101.0 KB)
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Hi there! If you go Library → Engraving options (or SHIFT COMMAND E) → Rehearsal Marks. There you can adjust where in relation to the barline rehearsal marks are placed, as well as the distance from the bar itself.
The only caveat is you need to make sure you select all parts you want to change this in, or else it’ll apply to the score but not the parts. Let me know if this helps or you would like visuals to find any of this!
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Thanks, and I have done this. But the issues I have are that I cannot seem to find settings that a) keep the rehearsal marks out of the way of things like clefs when they appear at the start of a system, but also b) are not so far from the staff in the middle of a system that they bump up agains the system above, and c) can align nicely with things like tempo marks.
Is there some magic combination of settings that I might employ that will be a happy medium? Or are there some collision/alignment settings that I have set incorrectly in my layout options attached above that I need to fix?
Ah I understand, the best option for that is limiting the number of bars per staff, and then staves per page.
By default there is no limit and so things get very scrunched, leaving you to fix it all manually. I find that 4 to 6 measures per staff, and 4 to 5 staves per system, make it much neater. This way things have room to breathe and added markings are not bumping into each other.
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Right, that makes sense. But that still won’t affect the fact that in the attached part, in m. 58, the rehearsal number is no where near the tempo mark; in m. 75, it sits above the tempo marks; in m. 86, the alignment with the tempo text is off because the tempo mark moves up to avoid the rest count, but the rehearsal mark does not follow it. None of these things are avoidable automatically with wider spacing. And I know it would be an even bigger ask, but I would ideally want the rehearsal mark at 54 to move down and in front of the dyad with the tall stack of articulations.
Is there any way to automate these appearance issues?
Hi @jjm_335, I wanted to try some settings but your Dorico file (Guitar part) looks like this (seems quite empty) on my system:
Was this the right file? Or you intended to send a project without music only for the Settings? To try out the settings on a concrete example it would be helpful to have some music in it (If you would like to share)
Sorry, I did remove almost everything in order to get the file size small. Here’s a trimmed version that still has the guitar part info.
AWW - Jazz Orchestra copy 2.dorico (2.1 MB)
Thanks for taking a look!
