Some thoughts about the Future direction of Steinberg and it's products

Hello @Matthias_Quellmann,
Thank you very much for the team’s hard work on bringing Cubase 15 up to all of us.
The DAW really gets modern with every release.

I would like to suggest few general ideas about the future destination of Cubase/Nuendo and Steinberg in general. I would like to invite @dspreadbury to see this comment.

  1. Would be nice to see a centralization of the Audio Editing in Cubase/Nuendo

    • Something like Pro Tools’ - BeatDetective tool is a “must to have” in every modern DAW

    • BeatDetective makes the audio quantization and editing much faster than it is in Cubase/Nuendo currently.

  2. This one is inspired by UAD Luna and their “Analogue” approach.

    • It’s nice that Cubase/Nuendo become more and more powerful towards sound design and electronic music, but still the Analogue Sound trend is growing.

    • Harrison Mixbus and Cakewalk are another DAWs which following the “Analogue” trend..

    • When it comes to “Analogue” even the GUI is important, to make you feel in an analogue environment.

  3. Something Blackmagic - Davici Resolve and Affinity 3 (by Canva) inspired.

    • Would be great if we could have “All in One” (Cubase, Nuendo, Dorico, WaveLab and SpectraLayers) within a single, multi-module, application.

    • The availability of the modules will depend on the purchased licenses

    • Would be great if one doesn’t need to leave the app, or to launch another one, in order to accomplish all the needed tasks.

    • It will be more comfortable for those who uses instrument host like Vienna Ensemble Pro. It would be hard to connect two apps to VEP e.g. Dorico + Cubase.

    • Apps like Divisimate could be easily used for notation, due to it’s connection with Cubase/Nuendo. Currently it’s impossible to use it with Dorico.

    • Working with multiple applications isn’t a good idea and takes time jumping from one another.

    • That way those who need the Score Editor in Cubase will be able to use directly a limited edition of Dorico that covers the functionalities of the current Score Editor. The Score Editor in the Lower Zone should be preserved.

    • Dorico will be able to take advantage of the Cubase/Nuendo Mix Console, which is a very powerful tool.

    • Those of us who need to be able to import Audio to Dorico, will be able to use some limited edition of Cubase, or they could invest in Cubase Pro / Nuendo.

    • Cubase/Nuendo could take advantage of Dorico’s Expression/Percussion Maps, Playback Templates, Playing Techniques, Flows, Stages, Voices ordering per Staff, Automatic Performance and many tools that make the performance editing easier and faster.

    • The idea that is present in Dorico, about the Audio Engine as separate module is great! In case of a crash of the Audio Engine, the Dorico project is secured. This could be embraced in the “All in One” app I am suggesting.

    • An audio could be transcribed to notation by VariAudio, or Melodyne (A.R.A.).

    • The Dorico - Play mode could be replaced by fully functional Cubase Pro/Nuendo, or limited Cubase Artist, Elements, AI… (depending on the purchased license).

    • Most probably Qt should be adopted as the framework for the “All in One” app.

  4. Let’s make Cubase/Nuendo more hardware integrated (another Luna inspired idea):

    • Luna has deep integration with the UAD interfaces Apollo and Volt. Here is an example of integration between Luna and Volt:
      https://youtu.be/RDEF2fxLzAY?t=227
    • Such integration with an audio interfaces as RME, Antelope, UAD… and digital mixers as Allen&Heath, Soundcraft, Behringer, Midas, Yamaha… will make Cubase/Nuendo a very preferable for studio and live recording.
    • The ability to control all the interface/mixer parameters within the DAW is a very comfortable and important feature. It eliminates the need to jump, back and forth, between the DAW and the interface/mixer software console.
  5. Graphic tablets integration for Dorico.

    • No doubt an ability to manually input notes, by writing them into Dorico, will make the workflow more straightforward and closer to writing on paper.
    • Definitely we need a functionality like StaffPad in Dorico.
    • The graphic tablets are much affordable than tablets like iPad.

Best regards,
Thurisaz

P.S.: I would like to leave this thread here, too, as it is somehow related to the ideas I’m sharing here:

3 Likes

Hello Steinberg team and colleagues,

I would like to аdd a clarification aimed more at product leadership and long-term strategy.

The intention of this thread is not to influence short-term roadmaps or request specific features, but to reflect on where Steinberg’s platform could meaningfully differentiate itself at a structural level over the long term.

Steinberg’s portfolio is unusually complete: composition, production, post-production, mastering and spectral processing all exist at a high professional standard under one roof. This is not just a product lineup — it is a potential platform, if viewed through an architectural and ecosystem lens.

The strategic opportunity, as seen from a user perspective, is not consolidation for its own sake, but intentional alignment: shared core technologies where it makes sense, coherent editing and interaction paradigms, and frictionless movement between creative stages that increasingly overlap in real-world workflows.

Many competitors excel in specific niches, but very few are structurally positioned to support an end-to-end creative process without forcing users into fragmented toolchains. Owning that continuity — even imperfectly, but deliberately — could define Steinberg’s product identity in a way that is difficult to replicate.

This is offered as long-horizon input rather than a proposal for immediate change, with the hope that it contributes, even in a small way, to internal discussions about how Steinberg’s products might evolve not just individually, but as a coherent whole.

Best regards,
Thurisaz

Dorico and Cubendo are made for fundamentally different work approaches with totally different design philosophies and should absolutely not be cluttered into one application. (Kind regards from a happy user of both)

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Agree. I start most projects in Dorico, and complete them in Cubase. Dorico = composition (and score and parts) and Cubase = realization. It’s possible in 20 years things will be more integrated, who knows!

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Hello @eirik_myhr,

Just a short clarification to summarize the core idea behind this thread.
The proposal is not about merging Dorico, Cubase, WaveLab and SpectraLayers into a single, cluttered application, nor about compromising their individual design philosophies. It’s about a mode-based unified platform, where each product remains a focused, purpose-built environment, while sharing a common project foundation.
For users who work across composition, notation, production, audio editing and spectral processing on a daily basis, the biggest friction is often not the tools themselves, but the constant context switching between separate applications and project representations.
A relevant industry precedent here is Affinity by Canva, where previously independent applications with very different workflows are now accessible as distinct modes within a single platform — preserving specialization while enabling continuity across the creative process.
Importantly, this approach wouldn’t replace existing workflows. Users who prefer Dorico → Cubase as separate applications could continue working exactly as they do today. The goal is to extend Steinberg’s product leadership by offering an optional, integrated path for cross-domain creators.
I’m sharing this primarily as a long-term product vision and architectural discussion, rather than a request for short-term feature changes.

Best regards,
Thurisaz