By default Dorico places a fermata above any(?) Playing Technique text, but I would rather have the fermata directly above the note and the text above the fermata.
In my current project there are too many occurrences for me to adjust manually; by any chance is this controlled by a setting somewhere?
Iâll actually stick my neck out and say this is âincorrectâ. Iâve been looking through dozens of published scores specifically where âcon sord.â or âsenza sord.â is written, and not once have I seen the fermata pushed out the way to favour the text.
I think it is a result of how Dorico stacks different types of object, and certainly not ideal. One workaround is to displace the con sord grid position so it does not coincide with the fermata, but you still need to drag it eventually.
My quick & dirty workaround: hide the actual playing technique, then replicate it using Shift-X text. I have set the Default Text paragraph style to be exactly the same as the Playing Technique Font font style, so this is very efficient.
I agree that playing techniques should be positioned outside pauses. We can change this, but due to the way the ordering of collision avoidance is set up in Dorico at the moment, the change will affect all projects, past, present and future. So if you have spent time manually adjusting the relative ordering of these items, youâll need to redo those edits in future versions of the software.
I echo the need for this update. I have been manually moving text in engrave mode, and itâs a lot of work to keep track of in the cleanup process of a big score.
I have made a custom Playing Technique âdumb fermataâ for exactly these purposes. Of course it doesnât influence the playback but then again, neither did the proper fermatas until version 5.1 .
Thanks for reply. In my case itâs not the playback Iâm talking about. As you can see in the example Iâve made in Sibelius fermatas are placed on different beats independently in both voices. I didnât find the way to engrave like this in Dorico. In Dorico fermatas would be placed strictly on the same beat in both voices.
This reasonable question could be addressed to the composer who wrote that in his autograph score, but heâs passed away a decade ago. Iâm just trying to engrave his score as close as possible.